Janosík, a friar retrained as a bandit, becomes the farmers' symbol of resistance and fight against the feudal conditions.

The Portorican prime minister asks British detective Sherlock Holmes to find a twin for King Fernando XXIII, a weak and frightened man who fears anarchists and does not want to show himself in public. Holmes finds in the Czech newspapers a photo of the perfect double, František Lelíček, a daring bon vivant drowned in debt, so when Holmes offers him money, Lelíček decides to travel to Portorico and play the role.

The gullible buyer Žemla Martin (Francis Smolik) finally opened his dream shop. After a while, you get a lot of friends. Especially the former captain Kyllijána (Vlasta Burian), who come to him to drink brandy debt and sit on a bag of peas, where he talks nonsense. Its debt is starting to grow nicely. Later dupe marry an evil Pavlina Šustrová (Ela Poznerová). It can also bring their calculating mother, widow Catherine Šustrová (Antonie Nedošínská). These two together with a bun Kyllijánem use, but outside him are friendly. Later, when Žemla catches his wife cheating when he has become the father of a foreign child, and when he discovers that the shop is broke and completely vyjedený, poisoning. A best friend Žemlův captain Kylliján happily drunk debt for plum deleted.

Anton Špelec (Vlasta Burin) is a producer of musical instruments by trade but a sharp-shooter at heart. He expects to be awarded a medal at a large parade in town where veteran sharp-shooters will be honored. When the town council is one medal short, Anton must wait another year for his prized possession. He drowns his disappointment in drink at the local pub and becomes so drunk that he insults the emperor who sentences him to jail. Instead of fulfilling the emperor’s orders himself, Anton sends his employee in his stead.

The story of love, between a sturdy village boy and a gentle country girl, filmed with a movingly genuine charm.

Father Vojtech (Czech: Páter Vojtěch) is a 1929 silent Czech romance film directed by Martin Frič.

František Procházka was retired early because his soldiers sang a forbidden song about a c. and k. field marshal. Since he is a soldier in body and soul and his request for reactivation is rejected, he decides to visit his nephew Rudi. Upon arrival, he finds the uniform of the secretly expected field marshal in his nephew's room and, after putting it on and walking through the corridors of the garrison in it, he has no choice but to complete the entire play to the end. With his performance, he helps his nephew to get married, convicts the wanted spy and is eventually promoted to the real marshal and called back into service.

The Golem, a giant creature created out of clay by a rabbi, comes to life in a time of trouble to protect the Jews of Prague from persecution.

The tale of the Venetian gondolier whose desire for revenge following a thwarted love affair leads him to Bohemia. The intricate plot also deals with destinies of other characters, who finally come together in a dramatic encounter at one time and in one place. In his role as screenwriter and director, Anton produced a highly accomplished version of Mácha’s work. He respected the original but was also able, along with the DoP Karel Kopřiva, to capitalise on the possibilities that the film medium offered. For the Venice prologue, the filmmakers exploited the photogenic qualities of the city – the narrow streets, the lagoons, gondolas and the sea – and they moved the set to the enigmatic Czech landscape around the castle of Kokořín.

Andrea, the beautiful daughter of a railway gateman, is seduced by a rich passenger, who missed his train. Left pregnant, Andrea marries another man and moves to Prague, only to encounter her former lover and recover her former lust.