The reason for making this film is clear: it was to cover up Vojtěch Jasný's famous chronicle "All the Good Natives", an account of the tragic consequences of forced collectivisation. The pro-regime director Antonín Kachlík also focuses on the socialisation of the Moravian village, accompanied by mistakes and coercion, but in his optimistic view he emphasises the hopeful prospects leading to a happy future. Although the united village lands were born in pain, they will serve for the benefit of all the working people... As with Jasný, Radek Brzobohatý embodies the stubborn peasant, who is only slowly acknowledging the benefits of communal farming. However, unlike the poetic exuberance and pithiness of Jasný's chronicle, here we encounter a vicious posturing.

A film about a young sanitation worker who tries to prevent the pollution of a river, but pays the price...

Even a strict and not very popular teacher can achieve extraordinary popularity with his pupils. When their favourite teacher breaks his leg just before a bicycle trip, he is replaced by his strict colleague. Although his involuntary charges are not enthusiastic at first, they eventually become convinced that it is not good to immediately reject a person just because one does not get along with him at first...

A marquee stands on a sprawling Prague housing estate and is home to two young bricklayers, who have all sorts of life experiences waiting for them in the city. Around the two rural bricklayers absorbed by the big city, the entertainment is more than a little embarrassing, toothless, revealing that at the height of normalisation, even the jolly genre of drama fared poorly, and any satirical allusions were especially undesirable. With no sense of humorous exaggeration and no wittily punctuated plots, the story unfolds, showing how the characters, living in a marquee standing on a sprawling estate, face all the pitfalls of the "big world"...

Vera, wife of the plumber Simandl (Josef Somr), is found murdered in the cinema next to the IDOC (Information and Documentation) agency where she worked. Police captain Marha (Frantisek Nemec), who is leading the investigation, is informed by Simandl that on the day of the murder Vera promised to bring home fifty thousand crowns to buy a car. Marha's primary suspects are the three men working at the agency: deputy editor-in-chief Brandl (Jirí Pleskot) and editors Pernata (Eduard Cupák) and Remes (Ludek Munzar, and of course also Simandl.

A political drama dealing with the issues of contemporary construction and highlighting the various relationships within the party apparatus.

Postwoman Mrs Skorepa, her husband the ambulance driver Mr Skorepa and their eleven-year-old twins Petr and Pavel live in Prague in Malá Strana (Lesser Town), one of the Prague's historical and oldest quarters. The boys are crazy about cars and everything linked to them. They don't share their father's love of classical music. On the other hand, they are crazy about the newly announced scrap yard competition for paper collection. The lottery tickets awarded for every ten kilograms of old paper collected could win them a go-kart.

Maniac, a driver, sits on the track women, which then rape and kill. For loved ones, he is an ordinary person who has a wife and child. When exposed, he does not stop before killing his wife and takes his son hostage, under the guise of which he is trying to escape abroad.