Murat, Juri and Cornelia are among the so-called “working poor” – as click workers, in a cardboard factory and as freelance parcel deliverers, they are only linked by their low wages. Each one fights on his or her own.

Twenty-four hours with a group of friends on a Friday in October in Berlin’s district of Neukölln. Övünç is suffering from writer’s block, Pascal and Raha split up recently and are trying to stay friends. Kara constantly sublets her flat to keep herself moving. Henner spends the day in a bar and meets a girl by the name of Anja. That evening they celebrate Övünç’s birthday and drift together through the city’s nightlife. The film depicts six young people in their struggle with the daily grind of life in Berlin and the reality of turning thirty.

Set in modern Berlin, "Ms. Stern" is a dramedy about a 90-year-old Holocaust survivor, who is unable to choose her own fate. However, while trying her best to find a way out of this life, she spends her time joyously with her spirited granddaughter, Elli, and her eclectic group of friends, living it up to the fullest.

Pippa meets her ex-girlfriend Jael at a wedding party. The encounter triggers memories not only of the end of their relationship, but also of the trauma they experienced together. Since a queerphobic assault, Pippa has a post-traumatic stress disorder, which makes enjoying the here and now impossible. When Pippa has a panic attack, Jael and the group of friends manage to calm her down and Pippa understands that she can finally overcome her fears.

As a contestant in a singing casting show, Lea is asked by the TV team who she is and what makes her special. She doesn't know and begins to slip into different roles in her search for what makes her special, developing an unexpected fascination for her aunt Kati. Kati's return home as head architect for the renovation of the Residenzschloss after many years abroad reunites the family in one place. This reunion raises the hopes of grandparents Friedrich and Christel that they can join forces to give their pension, which has few visitors, a new lease of life.

Four generations of women in one family struggle with the expectations placed on them as mothers and partners. Their own dreams and desires for self-fulfillment are often left behind in the process. How can the traumas of the past be prevented from being passed down to the next generation? Will the cycle ever end, and will it ever be broken?