A small village's enchanted stone that brings the inhabitants good fortune is threatened by faeries

The leaders of the martial world are being attacked by a masked bandit. They accuse Yu Feixia (Lily Ho), but she asserts her innocence. Lu Yinan (Kao Yuen) and some of the other Golden Knights assist Yu Feixia in finding the real killer and the masterminds behind the plot.

Bai Yu Lung's father mysteriously disappears one night, and for 10 years Bai searches for him in vain. Finally, he decides to head to the far northern part of the country with the hope that he can find a clue in that region. There, he falls in love with a beggar (Cheng Pei-pei) and they continue the search together.

An assassin (Hwang Jang Lee) who operates for cold, hard cash is hired to take out a young martial artist and expert at Eagle's Claws, but first he must learn Eagle Fist to go after him.

The swordsman Zhang Zhen is injured in a misadventure and rescued by Eldest Sister of Changchun Sect, who has a crush on him. However, Zhang falls in love with the maid Yuenu instead, and conceives twins with her. The couple are killed by a group of evil pugilists later. The Eldest Sister is angry with Zhang Zhen for not accepting her and plans to make Zhang's children kill each other as revenge. The baby girl (Xiaolu'er) is saved by Zhang's friend, Lian Lanyan, while the male infant (Hua Yuchun) is taken away by the Eldest Sister. Lian Lanyan encounters the Ten Villains when he passes through Villains' Valley. He is overwhelmed by them and knocked out in a fight. The baby Xiaolu'er is taken away by the Villains, who surprisingly do not harm her, and instead intend to groom her to become the greatest villain ever. Eighteen years later, the twins meet each other by coincidence.

Ivy Ling Po plays the dedicated wife of a man being blackmailed for an illicit love affair, who uncovers a pit of deceit, double-crosses, extortion and murder after murder.

HK horror film.

Famed director Zhu Shilin tries his hand at a horror film! The beginning of The Living Corpse immediately sets the tone with a folk duet clearly inspired by the popular 1956 musical Songs of the Peach Blossom River. The duet, in addition to Zhu's frequent use of long, empty shots and crisp editing, gives this horror film a traditional poetic charm and a strong folk flavor. Mise-en-scene and sound effects create a terrifying atmosphere, and successfully communicate the ghostliness of a world without ghosts.