After being released from jail, Kaali is in search of Raja Rao, a rich businessman who is responsible for the death of his family members.

Prabhu is dejected when he learns that his bike has been stolen. He decides to find the people who stole the bike, but lands in trouble when he realises that his bike has been used to transport drugs.

Believing his wife to be dead, a soldier in the British-Indian army marries another woman and moves on. After few years, he finds out that his ex-wife is still alive and feels miserable.

In this film, Jaishankar played the elder brother of Jayalalithaa and he was paired opposite Venniradai Nirmala.This film is considered to be precursor of 1976 Tamil hit film Moondru Mudichu.

Gopal, a rich widower, falls in love with Latha. As they are getting prepared to marry, Gopal's presumed-dead wife, Chitra arrives.

Brothers Shankar and Raja decide to go to the city for better opportunities post their mother's death. However, they get separated while travelling on a goods train.

The plot revolves around the dark complexioned and uneducated girl and how she convinces everyone that more than appearance and education, it is the character which is important for a woman.

A man saved from death by God and told how God help others.

A shape-shifting snake-woman, who is in search of her lover, who she lost two decades ago, sets out to win his love again.

Pazhani has two children — Chandiran and Meena. Meena is married. Chandiran loves Pankajam. His father and grandmother want him to marry a relative girl, Thangam, who is very helpful to the family. But Chandiran marries Pankajam defying them. Although brought in for comic relief, the ever-loveable J. P. Chandrababu and his milkman character became the real irresistible pull of this family melodrama. Director A. Bhimsingh—a rare talent to have successes in both South Indian and Hindi cinemas—masterfully blends lightness and pathos.