Jidai-geki about the life of Yasubei Nakayama, a famous ronin who did participate in the revenge against Lord Kira Yoshinaka as detailed in Japan's famous epic Chushingura

Romantic melodrama

Period film about the legendary detective Umon

Jidai-geki by Kiyoshi Saeki

Ichikawa's 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a tanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa's film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead, Ichikawa shows the contest of wills that transpires as two geisha, Oko and Kiyoha fight for the top spot in Nihonbashi, the pinnacle of the Tokyo geisha world. Nihonbashi is an elegant, if steely, exposition of manners. The young doctor, Shinzo Katsuragi, is the object of affection for both women, but appears to be more the choice reward for the plotting and thieving of these two early modern superwomen, than a lover they swoon over.

33-year-old poor writer Ogata was able to endure his miserable life cheerfully thanks to Yoshie, a 19-year-old innocent young wife. After graduating from a girls' school in Hokuriku, she immediately moved to Tokyo to meet and marry Ogata. After neatly writing Ogata's manuscript, he would buy dorayaki as a gratuity and devour it.

1954 Japanese movie

This horror tale adapts the Japanese legend which tells of a man who faces the consequences of betraying his wife in order to acquire wealth and power.

1962 Japanese movie