"Super,"" ""the best movie in the world,"" ""When can we download it?""—these were some of the reactions to Tadas Vidmantas' controversial debut film Gautas iškvietimas. Now, less than a year later, the trilogy concludes with Gautas iškvietimas 3. Following their unexpected success, the 7th Police Precinct faces a rare challenge—spending large sums of money. Their motto shifts from ""Protect, Serve, Help"" to ""Buy, Spend, Waste,"" but they soon realize that money can't buy happiness… though that won’t stop them from trying. Chaos follows them everywhere—dangerous calls, absurd situations, and endless trouble. Do riches change people? Which officer is expecting a baby? And will all beloved characters make it to the end? All this and more in the wildest, most star-studded Lithuanian police comedy yet—Gautas iškvietimas 3!

A musician on his way to meet a fellow fiddler, encounters two girls and is taken aback by their talks about afterlife. The musicians walk towards a village observing events, unable to discern phantasy from reality. Later, both men attend a funeral, where archaic rituals intertwine with the practice of marrying a dead girl to an ‘afterlife groom’.

Sangaile, a 17-year-old spending the summer at her parents’ lakeside villa, becomes drawn to a free-spirited girl she meets at a nearby aeronautical show. As they grow closer, she begins to confront her fears and embrace a connection that encourages her to pursue her passion for flight.

Close to bankruptcy, Irena, the owner of a struggling pig farm in a tiny post-Communist town, finds a surprising benefactor in a handsome American man who appears to be the answer to all her prayers.

Dainius, a young rock singer, locks himself away in a secluded country house surrounded by swamps. Hoping to meet his beloved in dreamland, the musician is eagerly assisted in his studies by a local boy exploited by moonshiners.

Danielius is just a simple man in today’s world. He tries to find his purpose in the society while using old masculine myths. Inevitably he finds himself in absurd situations.

In an academic committee where student performances are judged, a newcomer lecturer must decide: confront the power she once respected or stay silent to belong.