
Acting
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A thug offers to pay a law student's gambling debt if the student will accompany him on a trip across Tokyo.

A gaunt, middle-aged man barely recovered from a serious illness, an awkward company employee, the hosts’ likable son, who comes home late — each of the men on the terrace are captivated by Haruko’s pale, white arms, inflaming the jealousy of the company director’s wife. Literary anecdotes abound, as does petty bickering. The masks they’ve carefully crafted are suddenly torn away, exposing their tainted humanity. Desires, jealousies and secrets are laid bare during 90 minutes on the terrace, culminating in a shocking and not exactly happy ending.

In 1934 (Showa 9), Maj. Gen. Yamamoto Isoroku was ordered to be the chief representative of the preliminary negotiations for the Disarmament Conference to be held in London. If negotiations break down and Japan becomes isolated from the international community, the gap with Britain and the United States will deepen, and it may eventually become a war. Knowing the mighty national power of the United States and thinking that war should be avoided, Yamamoto is forced to make a tough decision with the speculation of senior military personnel who want to withdraw from the disarmament system and hope for a path to arms race. Under such circumstances, Yamamoto comes up with a secret plan!
A boy genius named "Kadokawa" invents the ultimate anesthetic for SM play. Kadokawa's madness is turned into reality by his childhood friends Oyamada and Saigo. "A near-future science fiction work that will burn out the "endless everyday life.

Tsuda Umeko was born in December 31, 1864 and became a pioneer in women's eductation. In 1871, Tsuda Umeko, with her father's recommendation, went to the United States to study at the age of 6. She was the youngest of the group of females to travel there. They were the first Japanese female students to study overseas at their government's expense. 11 years after studying in the United States, Tsuda Umeko returns to Japan. She wants to become a woman who is helpful to her culture, but she is shocked by the low status of women in Japan. (Source: AsianWiki)

Tamako is 20 years old, lives at home with her mother (Kishimoto Kayoko) and teenaged brother, and simply refuses to grow up. Ever since her father left the family, she's stopped trusting people, and now lounges around in her own small, claustrophobic world. Wearing an iron helmet whenever she steps outside, she ventures only to her mom's beauty salon, the mechanic shop, and the bakery - the source of her greatest joy in life, sweet buns. Her world is static, insular, and safe, and there's no need to change - that is until her cat runs away, the bakery closes, and her mom falls in love with another man.


Middle-aged Fumi lives a quiet seaside life, she spends her days working at a small local factory, spending time with her neighbor’s son, and attending her sober-lifestyle group. One night while driving home her car is struck by a small meteorite, the odds of which are 100 million to 1. Seeing this as a good omen, Fumi decides she should be open to new possibilities in her life, even perhaps romance…


Shuhei passes the telephone booth installed on the side of the railway and goes home. It was a family reunion once a week, but an odd couple who moved in close to me visited me and started saying and acting as if to stir up the family.


