
Acting
Kaiti Lambropoulou (Epivates Thrace, 26 August 1926 – 31 January 2011) was a Greek theatre and film actress. She grew up in Constantinople, where her family had moved due to her father's commercial activities. She was the second child out of three in the family. She began her theatre lessons during her school years, secretly from her family, and participated in the first performance of the Art Theatre together with Karolos Koun in 1942-1943, in Henrik Ibsen's "The Wild Duck".[3] With the Art Theater "Karol Koun" he collaborated in the plays "Swanevit", "That's Right, If You Think So", "Constantine and Helen", "The Cherry Orchard", "Stella Violanti", "Fanny's First Play", "You Can't Know", "Happy Youth", "Vampires" etc. Then, she collaborated with the National Theater under the direction of Dimitris Rondiris and took part in the performances: "Students", "A Servant Wanted", "Cyrano de Bergerac", "The Spruce", "The Innkeeper", "The Imaginary Patient", "The Merry Wives of Windsor" etc. Afterwards, she followed Rondiris to the Greek Stage, but also collaborated with other troupes in many performances. She made her first film appearance in 1951 in the film "My Child Must Live". She also appeared in television series, as well as in the Monday Theater.

Hercules, a taxi driver, is married to Alexandra, a fanatical feminist. When he meets the beautiful, romantic Marie Louise, his previously peaceful family life is turned upside down. Hercules abandons his wife, follows her, and tries to change his life...

A wild tale of mistaken identity set during the Nazi occupation of Greece and starring the great Thanasis Vengos. Thanasis is called upon, during the Occupation, to testify at the trial of a tavern owner accused of serving cat meat to his customers. He too is accused of perjury and imprisoned with some resistance fighters. The resistance fighters escape, but Thanasis remains in his cell. He is accused of being Ivan, the notorious ringleader of certain revolutionaries.

A famous actor has problems with her relationship and the organization of her theatrical performance.

Having become a beggar on the streets, Alexis reminisces about his love affair with a wealthy girl, Eva, who gave him the accordion he always wanted. When she became pregnant, Alexis suggested that she not have an abortion, in exchange for disappearing from her life. She married a failed man of aristocratic descent, who soon abandoned her for a cabaret dancer, embezzling a large part of her fortune. Alexis kidnaps his child and ends up in prison. Many years later, he is released from prison and watches his daughter's progress from afar. She learns the truth about her father from a former employee of her mother's business and rushes to find him.

Yannis meets and falls in love with the leading actress of a play, Emma. She convinces him to propose one of his plays to the theater director. The director agrees to stage it, but in a more commercial version. Yannis feels guilty because he has allowed his play to be compromised and ruined. Soon, his relationship with the actress will be shaken by the weight of their character differences. He will eventually leave Emma, shortly before the play's premiere.

The wife of an industrialist who doesn't care about her creates a plot with her cousin to make him jealous.

A chain of bizarrely perfect and utterly extraordinary coincidences will convince a superstitious civil engineer that his impoverished long-lost friend is indeed a bearer of good fortune; however, is he truly an invaluable mascot?

Thanasis (Giannis Gionakis) succumbs to the pressure of his wife (Kati Lambropoulou) and buys an old car that turns out to be a shame. Until he can get rid of it and take back his money, there will be a number of misunderstandings and confusions, comic situations, and emotional fools.

Madalena is a tough seventeen-year-old who is forced to take on her father's ferry business after he dies. She has her many brothers and sisters to support, and there is no one else to do the job. So she rallies her defenses and sets out to give her rival in the ferry business a run for his money. But at the same time, the rival's handsome son is starting to look better and better. Madalena refuses to acknowledge her feelings for him -- though how long she can sustain that denial is the question.

Lisa is a student, pretending the sick not to go to school. Her parents are worried about her health and call the doctor to examine her. He realizes her lies but he covers her. Soon, they fall in love and eventually get married. However, after the honeymoon she begins to yearn school and her classmates and she returns to it without saying anything to her husband. Soon, her husband begins to suspect her because of her frequent absences from home and her secret meetings with the professor seem to confirm his suspicions.



