Standing alone on stage in the light, celebrated by thousands of enthusiastic fans. She lives for this moment, Helene Fischer enjoys this moment. Every evening anew, when it gets dark in the hall and the spotlights cast their bright light onto the stage, she manages to put aside the stress of touring and lets herself be carried by the people who are just waiting for "their Helene" to sing for them. Helene Fischer and her fans - the movie "Alone in the Light" tells the story of this extraordinary relationship. It is the story of an artist who manages to inspire everyone who gets involved with her.

Standing alone on stage in the light, celebrated by thousands of enthusiastic fans. She lives for this moment, Helene Fischer enjoys this moment. Every evening anew, when it gets dark in the hall and the spotlights cast their bright light onto the stage, she manages to put aside the stress of touring and lets herself be carried by the people who are just waiting for "their Helene" to sing for them. Helene Fischer and her fans - the movie "Alone in the Light" tells the story of this extraordinary relationship. It is the story of an artist who manages to inspire everyone who gets involved with her.

Standing alone on stage in the light, celebrated by thousands of enthusiastic fans. She lives for this moment, Helene Fischer enjoys this moment. Every evening anew, when it gets dark in the hall and the spotlights cast their bright light onto the stage, she manages to put aside the stress of touring and lets herself be carried by the people who are just waiting for "their Helene" to sing for them. Helene Fischer and her fans - the movie "Alone in the Light" tells the story of this extraordinary relationship. It is the story of an artist who manages to inspire everyone who gets involved with her.

What does it mean to live in a neighborhood? What does the place where you live mean to you? Who lives next-door? In the summer of 2017, 140 people who live on and around Rosa-Luxemburg Platz in Berlin's 'Mitte' district were interviewed. These conversations were turned into a series of short films that provide personal insights into diverse lives. Behind each door there's a different story: long-standing Mitte dwellers, founders of start-ups, centenarians, globetrotters, those pining for the old East Germany, and students. There are people who have lived here for two months or sixty years; people who grew up in what used to be East or West Germany, in Latin America, Russia, or former Yugoslavia. A neighborhood full of diversity and contradictions. Some call it their home, others just the place they live, while still others think of it as a real neighborhood or 'kiez'. And yet, memories and emotions associated with this place connect them all as neighbors.

Twenty years after September 11, 2001, ‘Country No. 1’ takes us on a journey back to the fall of 2001, when the official history had not yet been written. Filmed shortly after September 11, the movie shows New York from a different perspective than the then-ubiquitous television images. It testifies to how ‘ordinary’ New Yorkers were affected and how they created their own narratives to cope with the situation individually.

Twenty years after September 11, 2001, ‘Country No. 1’ takes us on a journey back to the fall of 2001, when the official history had not yet been written. Filmed shortly after September 11, the movie shows New York from a different perspective than the then-ubiquitous television images. It testifies to how ‘ordinary’ New Yorkers were affected and how they created their own narratives to cope with the situation individually.

Twenty years after September 11, 2001, ‘Country No. 1’ takes us on a journey back to the fall of 2001, when the official history had not yet been written. Filmed shortly after September 11, the movie shows New York from a different perspective than the then-ubiquitous television images. It testifies to how ‘ordinary’ New Yorkers were affected and how they created their own narratives to cope with the situation individually.

Twenty years after September 11, 2001, ‘Country No. 1’ takes us on a journey back to the fall of 2001, when the official history had not yet been written. Filmed shortly after September 11, the movie shows New York from a different perspective than the then-ubiquitous television images. It testifies to how ‘ordinary’ New Yorkers were affected and how they created their own narratives to cope with the situation individually.