
Directing
Lim´s debut feature film, After All These Years, is a suspense film, starring Wenchao He and Massa Dazhong. His second film, Magic and Loss, starring Kim Kkot-bi and Kiki Sugino, premiered at the Busan International Film Festival. His third film, New World (Shinsekai Story), starring Tomonaga Koumei and Shi Ka, premiered at the Hong Kong International Film Festival. In 2013, Lim made his fourth film, Fly Me to Minami, starring Sherine Wong, Kenji Kohashi and Baek Seol Ah which screened at the Vancouver Asian Film Festival. The film was nominated for Grand Prix at the Osaka Asian Film Festival. His fifth directorial, Love in Late Autumn, starring Irene Wan, Patrick Tam and Charmaine Fong was released in 2016. His sixth film, No Where, Now Here, premiered at the Osaka Asian Film Festival in 2018. His most recent film, Somewhen Somewhere, premiered at the Osaka Asian Film Festival in 2019.

Aoi has dropped out of high school and gives birth to a baby son with her husband Masaya. They live in Okinawa, the Southern island of Japan where they were both born. To make ends meet, she starts working as a night-club hostess. Masaya loses his job and cannot deal with the family’s responsibilities. Their immaturity and dependence aggravate the relationship and continuous fights lead to a social downfall. Aoi’s bond with her son sets her on a path to find solutions.

Fong Ka-Man, has been leading a middle class lifestyle. One day, during a heavy rain in the dusk, bearing the fear of illness, she is unwillingly staying away from the rain inside the tunnel. She first encounters a weird tramp, and then a young farmer who is rushing to deliver his harvest. It’s about how the “normal” passes by the “abnormal”. What makes them “normal” and “abnormal” seems to be realistic, but maybe it is just a void. Fong Ka-Man is anxious to find an exit from the difficult circumstance, but accidentally she finds out that what she yearns for is the disappeared end of this city.

Tourists, foreigners and outcasts converge on the streets of Osaka in this sprawling ensemble drama by Japan-based, Malaysia-born filmmaker Lim Kah Wai. His eighth feature explores the lesser-known aspects of the Asian melting pot city through the eyes and experiences of a dozen characters who struggle to find their place in society: among them a Nepali refugee with dreams of opening a restaurant, a Burmese student struggling to make ends meet while working two jobs, and a Taiwanese sex tourist who travels to meet his favorite adult video actress.

Tourists, foreigners and outcasts converge on the streets of Osaka in this sprawling ensemble drama by Japan-based, Malaysia-born filmmaker Lim Kah Wai. His eighth feature explores the lesser-known aspects of the Asian melting pot city through the eyes and experiences of a dozen characters who struggle to find their place in society: among them a Nepali refugee with dreams of opening a restaurant, a Burmese student struggling to make ends meet while working two jobs, and a Taiwanese sex tourist who travels to meet his favorite adult video actress.

Tourists, foreigners and outcasts converge on the streets of Osaka in this sprawling ensemble drama by Japan-based, Malaysia-born filmmaker Lim Kah Wai. His eighth feature explores the lesser-known aspects of the Asian melting pot city through the eyes and experiences of a dozen characters who struggle to find their place in society: among them a Nepali refugee with dreams of opening a restaurant, a Burmese student struggling to make ends meet while working two jobs, and a Taiwanese sex tourist who travels to meet his favorite adult video actress.

Tourists, foreigners and outcasts converge on the streets of Osaka in this sprawling ensemble drama by Japan-based, Malaysia-born filmmaker Lim Kah Wai. His eighth feature explores the lesser-known aspects of the Asian melting pot city through the eyes and experiences of a dozen characters who struggle to find their place in society: among them a Nepali refugee with dreams of opening a restaurant, a Burmese student struggling to make ends meet while working two jobs, and a Taiwanese sex tourist who travels to meet his favorite adult video actress.

Coco, a Beijing modern girl wants to spend a romantic and fancy Christmas vacation in Osaka. However the place where she gets in is Shinsekai ( "New World" in English, is an old neighbourhood located next to south Osaka city's downtown "Minami " area, as known as one of the most poorest and dangerous area in Osaka.)When she arrives there, she starts feeling regret and frustrated by the encounters and the landscapes which are far beyond her expectation. Suddenly she is involved in an incident surrounds a Chinese family there, meanwhile she starts fascinated by Shinsekai through her wondering. In this short and unusual Christmas vacation, Coco discovers a "Japan " she never knows and a "China" that she is not familiar with.

Coco, a Beijing modern girl wants to spend a romantic and fancy Christmas vacation in Osaka. However the place where she gets in is Shinsekai ( "New World" in English, is an old neighbourhood located next to south Osaka city's downtown "Minami " area, as known as one of the most poorest and dangerous area in Osaka.)When she arrives there, she starts feeling regret and frustrated by the encounters and the landscapes which are far beyond her expectation. Suddenly she is involved in an incident surrounds a Chinese family there, meanwhile she starts fascinated by Shinsekai through her wondering. In this short and unusual Christmas vacation, Coco discovers a "Japan " she never knows and a "China" that she is not familiar with.



Ah Jie returns to his hometown after several years and soon realizes that no one remembers him. Even his family denies his relationship to them. Depressed, Ah Jie meets Lao Huang, who tells Ah Jie that he can help uncover the truth to why no one recognizes him.

Lim Kah Wai, director of Your Lovely Smile, embarks on a similar journey as the protagonist in his film, visiting dozens of mini theatres from Okinawa to Hokkaido. Lim is not pitching his new film, but meeting the staff and owners of the theatres to make a documentary about how they struggle in the shrinking market. In empty cinema houses, the people speak of the common and personal challenges they encounter. Although they might have made different decisions – whether to hang on or move on, they share a pure love for and a genuine belief in cinema that they wish to pass on to the next generation.

