Queen Clytemnestra assassinates King Agamemnon. Their daughter, Elektra, lives for the day when her father's death will be avenged. Like a curse, the vendetta must be fulfilled, but is Elektra capable of committing the irreparable? At Grand Théâtre de Genève, the cogs of revenge are set in motion by director Ulrich Rasche, who imprisons the characters of Elektra in a spectacular scenic device: a steel tower weighing almost twelve tons in perpetual rotation. In the pit, conductor Jonathan Nott and his Orchestre de la Suisse Romande confront the musical challenges of Strauss' intoxicating one-act score. The female characters at the centre of the drama are sung by three artists of the highest calibre: Ingela Brimberg as Elektra, Sara Jakubiak as Chrysothemis and Tanja Ariane Baumgartner as Clytemnestra.

A young man ignorant of everything, including his own name, arrives at the Kingdom of the Holy Grail. Is he the ‘pure fool, enlightened by compassion’, who, it has been prophesied, will purify the realm? In his final music drama Parsifal, Wagner fashions the fear of the temptations and sinful desires into a tale of redemption. The score contrasts the sacred with the sensual, from the stark magnificence of the music for the procession to the Grail Hall in Act I to the richly orchestrated scene in which Kundry attempts to seduce Parsifal in Act II. There are sections of almost unearthly beauty such as the Act I Prologue and the closing scene of the opera, in which Parsifal reveals the Grail to the knights. OperaVision viewers discover András Almási-Tóth’s new production conducted by Balázs Kocsár live at its premiere on Good Friday at Hungarian State Opera.

Don Florestan is a personal enemy of the governor Don Pizarro and also a confidant of the minister Don Fernando. As Pizarro sees Florestan as a threat, he wants to eliminate him. He cannot bring himself to commit open murder, so he has him secretly imprisoned and hopes that he will soon die of his own accord. Florestan's wife Leonore suspects that Pizarro is behind her husband's disappearance. Disguised as a man, she sets off in search of Florestan and, under the name "Fidelio", takes up service as an assistant to the jailer Rocco - she suspects Florestan is in the prison he administers and hopes to free him.

"Yenufa" is an outstanding phenomenon in the music of the 20th century. Drawing on Moravian folklore, Janáček faithfully and deeply conveyed the drama of a peasant girl. The composer followed the path of Mussorgsky, revealing the spiritual life of people through the recreation of intonations of living speech. The libretto is based on a drama written in a naturalistic manner. Free from naturalism, Janáček's music has powerful emotional strength and psychological truth. It was written during a difficult period in the composer's life (illness and death of his daughter).

In February 1972, the American president Richard Nixon went to China to meet Mao Zedong. In the context of the war in Vietnam and the cold war, this encounter marked a turning point in Chinese‑American relations. Nixon in China addresses the political thaw instigated by ping-pong diplomacy, which began by an invitation of the American table tennis players to their Chinese counterparts, one year before the presidential visit.

The opera, inspired by Euripides’ tragedy The Bacchae, is as seductive as it is topical: When Dionysus – is he a charlatan? is he a demigod? – bursts into the intact world of ancient Thebes, he plunges a city into chaos. In stark contrast to his cousin, King Pentheus, who leads a life marked by purity and asceticism, Dionysus preaches intoxicating excess and sensuality. Aware of the story’s political dimension that resonates in present day politics, Krzysztof Warlikowski brings one of his famed psychological stagings to the Felsenreitschule in Salzburg. In the gigantic three-part set of Malgorzata Szczesniak the captivating tale unfolds like a film using split-screen techniques .

German-Jewish essayist, philosopher, and critic Walter Benjamin were one of the early 20th century's most influential thinkers, a light in the darkness of looming war and political oppression. In Benjamin, dernière nuit, composer Michel Tabachnik and librettist Régis Debray examine this life cruelly cut short by despair in the face of Nazism. Experience the opera here in its highly acclaimed 2016 premiere production at the Lyon Opera.