
Directing
K. Rajagopal has won the Singapore International Film Festival’s Special Jury Prize for 3 consecutive years with his short films: I CAN’T SLEEP TONIGHT (1995), THE GLARE (1996) and ABSENCE (1997). In 2010, he wrote and directed TIMELESS, a short film commissioned by the National Museum of Singapore which won Best Cinematography and Best Editing at the 2011 Singapore Short Film Awards. In 2015, his short film THE FLAME was part of the SG50 commissioned omnibus feature film 7 LETTERS, which had its Asian premiere at the Busan International Film Festival. His debut feature film, A YELLOW BIRD, premiered at the 55th Critics' Week, Cannes Film Festival in 2016 and won Best Film at the ASEAN Film Awards 2017. In 2019, the Singapore Silver Arts Festival commissioned him to write and direct the short film A DREAM I DID NOT DREAM.
After a family patriarch's passing, mother and son set off on different paths to cope with the loss. While the mother finds solace in religion and prayers, the son expresses himself through art. Unbeknownst to them, they are set on a collision course with one another, with life-altering consequences.
Drive My Car chronicles the story of Lay Hoon - a resilient single mother and self-employed individual as she endeavors to rebuild her life after serving time in prison. Working as a taxi driver to support her family, Lay Hoon confronts adversity when her taxi vocational license approaches its expiration, posing challenges to her newfound life.

It is an unwelcome homecoming for Siva, a Singaporean-Indian ex-convict, haunted by a tragedy in his past. Released after eight years behind bars and dejected by his mother’s coldness, he leaves home in search of his ex-wife and daughter. His old friend denies any knowledge of their whereabouts and instead leads him back into crime. Finding him sheltering in ‘void decks’ (the open public access corridors found beneath government-built residential housing in Singapore), the police force him to meet with a social worker; a woman also dealing with her own fears.

It is an unwelcome homecoming for Siva, a Singaporean-Indian ex-convict, haunted by a tragedy in his past. Released after eight years behind bars and dejected by his mother’s coldness, he leaves home in search of his ex-wife and daughter. His old friend denies any knowledge of their whereabouts and instead leads him back into crime. Finding him sheltering in ‘void decks’ (the open public access corridors found beneath government-built residential housing in Singapore), the police force him to meet with a social worker; a woman also dealing with her own fears.

An emotive anthology by seven of Singapore's most illustrious filmmakers, celebrating SG50 through the lives and stories of Singaporeans. Directed by Eric Khoo, Jack Neo, K. Rajagopal, Royston Tan, Tan Pin Pin, Boo Junfeng, Kelvin Tong.

Sam, a football player, gets admission in a prestigious international school under sports quota. His life changes for the better when he falls in love with a girl from the same school.

In 1965, an Indian family, whose men have been loyal servants of the British Royal Air Force, are faced with a life-changing offer of British citizenship as a reward for their years of service. The anglophone father is determined to follow his colonial masters back to England, while his newly-wed son yearns to build a new life in Singapore with his pregnant wife. Their conflict studies the notion of state and identity in a time of post-independence uncertainty.

In 1965, an Indian family, whose men have been loyal servants of the British Royal Air Force, are faced with a life-changing offer of British citizenship as a reward for their years of service. The anglophone father is determined to follow his colonial masters back to England, while his newly-wed son yearns to build a new life in Singapore with his pregnant wife. Their conflict studies the notion of state and identity in a time of post-independence uncertainty.

Seven young directors from Singapore produce a cinematic cadavre exquis.

Timeless is a visceral experience which disrobes the human condition over three epochs drawing upon searing images inspired by Francis Bacon’s triptych series. It is an examination of the questions “Time changes but do people change?” If people do change, why does HIStory repeat itself?

