Loving Istanbul couple Ayşe and Cemal need only a child to complete their life together, but they cannot conceive. To salvage Cemal’s pride, they resort to illegal means to procure a baby. This wild grab at a more perfect life proves their undoing, leading the couple to spiral toward separate futures. The couple's estrangement is intertwined with the film’s parallel narrative, in which a distant and neglectful single mom is raising her little boy, Can.

Kirpi, the vengeful practical joker finally finds a match for his habit: Tahir Yaman. Prank and revenge loop of the duo will drag them to very complicated situations.

Recep, a retired soldier, is left alone after losing his wife. He lives a routine life every day. She cannot get along with her upper neighbor Nilgün, who is a prostitute. He tries to kick Nilgün out of the apartment because he is the manager. One day, his grandson Ali comes to stay for a while. He advises Ali to stay away from Nilgün.

Mavi Sürgün is a fictionalized account of one period of the life of a Turkish journalist who was condemned to exile for an article he wrote in 1925. He turned his punishment into a reward by creating a little paradise in what is today the holiday resort, Bodrum. In fact he is considered by some to be the first ecologist. The film concentrates on this latter aspect of his character and through flashbacks portrays the inner turmoil of a man who is trying to come to terms with his past. The slow pace is somewhat of a drawback, the flashbacks are often confusing and the protagonist is not always very convincing. But the photography of the country side is exceptional Kenan Ormanlar and the short appearance by a very theatrical Hanna Schygulla of Fassbinder fame adds a little spice to the drama.

Bahar lives with her family in a poor suburb of Istanbul. She dreams of taking an entrance exam at the art academy and following a painting course. Her father is wanted by the police for political activities.

Fehmi is an aspiring young rapper from a slum of Istanbul where the Hip-hop subculture is the voice of the youth. Fehmi dreams of making a successful rap album, despite the disapproval of his family. Fehmi’s addiction to the deadly drug ‘bonzai’ jeopardises his burgeoning rap career. He comes to terms that he needs to quit, yet it’s a challenging pursuit. We witness Fehmi’s struggle through his relationships with his first love Devin, his gay brother Erdem and his band-mate Yunus. The process is an emotional roller coaster for everyone involved. Fehmi holds onto his passion for rap to stay strong in this rough journey.

The turbulent history of a country will be narrated through a modern ballet imbued with extraordinary aesthetics and poetry, staged as if on a theater stage. While the events are narrated solely through the modern ballet from a historical perspective, the impact of these events on society and their reflections on individuals are narrated through a love story embedded in the main story. Finally, an analysis is presented to the audience, composed of people from all segments of society, of how these events shaped society in 1990.

The film tells the story of an old sailor and a young girl who takes refuge in his home. Harun is a retired sailor who lives alone in a remote coastal town. One night, a young girl named Güneş takes refuge in Harun's home. Güneş claims she was kidnapped for ransom and escaped, hiding here by chance. She wants to stay at Harun's house until the danger passes. However, when Harun decides to report the situation to the police, Güneş admits her story was a lie and reveals her true tale. Harun will struggle with whether to believe Güneş or not.