1962 Japanese movie

A young obstetrician-gynecologist, who was betrayed by his beloved, out of hatred for women, turns into a vengeful demon and rapes women one by one.

Two young crooks who scam betters in the race track are employed by a yakuza gang called the Shigemori Syndicate to steal a shipment of handguns from a rival gang. Somewhere in the process they find themselves on the run from their own gang and one of them becomes himself romantically entangled with the boss's girlfriend. An ambitious underboss of the gang offers them a way out if they murder the previous boss but things don't turn out as planned (for everyone).

On Christmas Eve, a TV broadcasting station receives a phone call. The caller warns "I have set up a bomb at Ebisu in Tokyo." A contract worker for the TV broadcasting station and a housewife are accused by the Ebisu police as being the culprits. During this chaotic situation, a mysterious man silently watches as everything unfolds. A video clip is then uploaded to an online video website. The video contains a demand to talk with the Prime Minister during a live broadcast or a bomb will be detonated at 6 pm in Shibuya, Tokyo. Who is behind the bombings and who will stop them?

On September 1, 1923, an unprecedented earthquake hit the Kanto region. The streets are filled with victims, and rumors are circulating around. The military seized the opportunity to round up and kill many socialists, anarchists, and Koreans, culminating in the arrest and murder of Sakae Osugi. His comrades and students are outraged by this atrocity. The young man Furukawa also becomes stronger in his determination to overthrow the military...

Japanese mystery film marking Yuka Mizuhara's film debut.

Home drama about tin craftsmen and their families in downtown Tokyo. Though poor, they do not lose their cheerfulness or give in to oppression.

Rumi (Yoko Mihara) and Emi (Masayo Banri) are sisters who dance nightly at the Blue Moon cabaret, which happens be the headquarters of a drug ring. Offstage, Rumi captivates the gang boss, Iwahara (Shuntaro Emi); while Emi attracts the portly club manager, Yajima (Saburo Sawai). Meanwhile their older brother Shinichi (Ryo Kuromaru), a seaman, is unwittingly assisting Iwahara with his drug running. When Shinichi’s ship is sea-jacked by another drug gang, an outraged Iwahara suspects him of treachery and has him beaten and confined in a dungeon-like basement. Rumi and Emi try to free him, but a gang hitman discovers them - and their attempt ends in failure. Now under suspicion themselves, the girls try to escape, but luck goes against them and they are taken to an island where Iwahara and his crew plan to ambush the rival gang.

Freelance reporter “Scoop” Machida is hot on the trail of a prostitution ring called the Black Line, when he is framed for the murder of a young woman. Forced to clear his own name, the handsome journalist sinks deeper into the Black Line’s rotten swamp of drugs, prostitution, and murder and finds unexpected help in Maya, a steamy female gambler familiar with the neon-lit streets, shadowy alleyways, and seedy nightclubs he must navigate. The closest film in the Line series to classic American film noir, Ishii’s Black Line is a pulpy assortment of crime film conventions including the starkly expressionistic black and white cinematography by Jûgyô Yoshida, a jazzy music score by Michiaki Watanabe, and a sleazy screenplay by Ishii and Ichirô Miyagawa.

The year is 1945, months prior to Japan's ultimate defeat in WW2, and military lieutenant Sugawa is sent on a critical mission to deliver micro-fiche war plans to Tokyo from his base in Malaysia. But while flying over Chinese waters his plane is shot down and he is taken aboard a ship bound for Shanghai to deliver its merchandise - a ship filled with Female Slaves kidnapped from Japan. Will he abandon the women to pursue his main objective? Or will he fight foes, spies and pirates to save these women against all odds?