Hakan and Nihal have been married for many years. Shortly after they find out that Nihal is unable to have children, she disappears. While searching for her, Hakan makes some painful discoveries. He must face his inner demons to discover what happened to his wife.

Returning home to help his mother with the orange harvest, Mahir meets an unexpected guest: Halef, who believes he is the reincarnation of Mahir’s long-dead older brother.

Set against the backdrop of construction activity promising to fill in the empty spaces of the urban landscape with entirely new neighborhoods, a story unfolds of an aging construction worker who, unlike his peers, has to drop all plans for the future after being diagnosed with a malignant tumor. This self-assured debut contemplates the dignity of the individual within the context of modern Turkish society.

Asli, a young mother who is trying to find a nanny to get back to work, finally meets young Gulnihal. Gulnihal is also a mother. With Gulnihal coming into her life, Asli faces her secrets which she has been avoiding herself.

A short while after his dominant wife abandons the wimpy and meek Hayati, who is a literary teacher in a patriarchal town, the police find an unrecognized female corpse by the lake. Hayati wants to state that the body belongs to his wife and to take the blame for the murder that someone else committed.

Anoush, a little girl, goes to borrow a wedding dress from a distant relative for her brother's wedding. Leyla, a teacher, comes home as a second intruder. Leyla has just been appointed to the village school. She learns that the village school had been abandoned many years ago and that there is no children in the school age. On the other hand, Anoush could not learn to write although he could read because her teacher resigned and left the village. Transportation between villages takes place once a day. Anoush and Leyla are forced to spend the night in the same house. Will the two passengers get what they want despite the long road?