Yoon-ju dies under mysterious circumstances while working on a film. At the urging of Director Kim, her younger sister Yoon-hee starts making the film but memories of her dead sister keep haunting her. When Yoon-hee sees her sister’s apparition lying in the bathtub looking at her one day, she falls and hurts her eye. From that day on, Yoon-hee goes back and forth between herself and the dead sister and tries to keep a distance from her boyfriend Han-gi, who grows more and more concerned and tells her to quit the film. But, Kim pushes the reluctant Yoon-hee to keep working on finishing it. As she continues to shoot the film, Yoon-hee finds herself caught up in confusion as she crosses the borders between the present and the past and between reality and cinema.

Ae-rang is a celebrated gisaeng who has the ability to knock out any man in the world with the flick of her hand or skirt and in the blink of an eye. She's got the men eating out of her hands with bedtime techniques that no one else knows about. One day, an impregnable man who won't date anyone is assigned to her village. The magistrate and Ae-rang secretly bet that she will or won't be able to have him begging for her.

Yoon is preparing for a new life as he plans to leave Jeju Island. However, when his father doesn't return home, his daily life starts to unravel. As time passes, there is no trace of his father. Eventually, Yoon sets out to find him, and through meetings with his father's acquaintances, he gradually discovers sides of his father that he never knew.

Pil-ju, an Alzheimer's patient in his 80s, who lost all his family during the Japanese colonial era, and devotes his lifelong revenge before his memories disappear, and a young man in his 20s who helps him.

The awkward, distant, and wounded three sisters gather at their hometown for their father's birthday. However, on the day of the party, there is a big mess because of their little brother Jin-seob's abnormal behavior, and the past of the three sisters slowly reveals.