Eternal daydreamer Mel can't wait to quit her sucky catering job and fly to her dream destination: Portugal. Things change when the beautiful Jenny literally crashes into her life when Mel nearly runs her over in her classic BMW. It is love at first sight, however there is just one problem: Jenny mistakenly assumes Mel to be a boy. Despite this, the pair become boyfriend and girlfriend. With Mel attempting to disguise her true gender at every turn, her journey from tomboy to out lesbian is fraught with life-defining dilemmas and sweet surprises.

On a talkshow, actor and German TV ikon Joachim Fuchsberger recalls how the games for his show "Nur nicht nervös werden" (Don't Get Nervous), first broadcast on West German TV in 1960, were developed along the lines of American psychiatry. Asked "So how many crazy people watched you?", he responded: "A whole crazy, psychologically disturbed nation". Why were the Germans or to be more precise, the West Germans, a psychologically disturbed nation at that time? This is a film about cheerful and serious games, therapies for re-education and self-imposed re-education, as well as the history of the idea of permanent revolution. Those appearing include directors and producers of gameshows, psychiatrists, anthropologists, and the diversely paranoid.

Woyzeck takes psychotropic drugs and punishes himself physically. He has no choice. It's his living. With what he earns selling his body and by working in a restaurant and in subway tunnels, he just about makes ends meet. Coming home to his wife Marie and his infant child, he’s an impotent wreck -- and definitely unable to afford the earrings he sees Marie wearing one day. She’s frustrated and the jewelry is a gift from the local pimp. Woyzeck wasn't supposed to find out. But he has. Plagued by voices, he loses his already weak grip on reality. He retreats into the tunnels with Marie and the baby. There Woyzeck is the master of life and death.

A love triangle forms between post-Enlightenment writer Friedrich Schiller and two sisters -- one who became his wife, and the other, his biographer.

Veteran defense attorney Konrad Biegler and tenacious police inspector Peter Nadler face off in the trial of a man accused of kidnapping a young girl. (Abridged version of Enemies: Against the Clock and Enemies: The Confession, focusing on the ins and outs of the judicial process.)

ZONE is a melodrama about a girl with paranormal abilities who fights against a system that tries to calculate and completely record people in a hermetically sealed area. In a time torn from chronology the rebel sets off with a bundle of hope in search of counterspaces and a life that feels like her own. Time and space collapse into each other. A country can be experienced through the pain, sadness and desire of its inhabitants.

In post WW2 Germany, Paul (11), is desperately awaiting his father’s return home. His mother, Eva, knows that the father will not return and tries to rebuild the family with her new love, Sam, an African-American G.I. stationed in Germany after the war.

Thies lives in Berlin with his three-year-old daughter Ella and his girlfriend Isa. He has been suffering from depression for quite some time and has tried all kinds of treatments. When Isa is away for a few days for work and Thies has to look after his daughter, he is no longer able to fight his depression. He finally takes his daughter to his in-laws and faces up to his anxiety.

Convinced that his daughter has forgotten how to laugh, a father shows up unannounced while she's living abroad and bombards her with outrageous jokes.

Simone Mankus is a woman in her prime who has left little out in her life. The former showbiz diva is a child of the late 60s, endowed with humor, a sensual lust for life, but also the melancholy of an entire generation that has lived through wilder times. Now, just as she is planning her big comeback, she is threatened by a stalker.