
Writing
Julio Florencio Cortázar (26 August 1914 – 12 February 1984) was an Argentine, nationalized French novelist, short story writer, essayist, and translator. Known as one of the founders of the Latin American Boom, Cortázar influenced an entire generation of Spanish-speaking readers and writers in America and Europe. He is considered one of the most innovative and original authors of his time, a master of history, poetic prose and short story in general and a creator of important novels that inaugurated a new way of making literature in the Hispanic world by breaking the classical moulds through narratives that escaped temporal linearity. He lived his childhood and adolescence and incipient maturity in Argentina and, after the 1950s, in Europe. He lived in Italy, Spain, and in Switzerland. In 1951, he settled in France for more than three decades and composed some of his works there. Julio Cortázar was born on 26 August 1914, in Ixelles, a municipality of Brussels, Belgium. According to biographer Miguel Herráez, his parents, Julio José Cortázar and María Herminia Descotte, were Argentine citizens, and his father was attached to the Argentine diplomatic service in Belgium. At the time of Cortázar's birth, Belgium was occupied by the German troops of Kaiser Wilhelm II. After German troops arrived in Belgium, Cortázar and his family moved to Zürich where María Herminia's parents, Victoria Gabel and Louis Descotte (a French National), were waiting in neutral territory. The family group spent the next two years in Switzerland, first in Zürich, then Geneva, before moving for a short period to Barcelona. The Cortázars settled outside of Buenos Aires by the end of 1919. Cortázar's father left when Julio was six, and the family had no further contact with him. Cortázar spent most of his childhood in Banfield, a suburb south of Buenos Aires, with his mother and younger sister. The home in Banfield, with its back yard, was a source of inspiration for some of his stories. Despite this, in a letter to Graciela M. de Solá on 4 December 1963, he described this period of his life as "full of servitude, excessive touchiness, terrible and frequent sadness." He was a sickly child and spent much of his childhood in bed reading. His mother, who spoke several languages and was a great reader herself, introduced her son to the works of Jules Verne, whom Cortázar admired for the rest of his life. In the magazine Plural (issue 44, Mexico City, May 1975) he wrote: "I spent my childhood in a haze full of goblins and elves, with a sense of space and time that was different from everybody else's". ... Source: Article "Julio Cortázar" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Interview conducted with Julio Cortázar by journalist Joaquín Soler Serrano on March 20, 1977.

Havana, spring 1971: The poet Heberto Padilla has just been set free and appears before the Cuban Writers' Union where he pronounces a statement of "heartfelt self-criticism", declares himself to be a counterrevolutionary agent and throws accusations of complicity at many of his colleagues present at the event, among them, his wife. A month previously, his arrest under the accusation of endangering the security of the Cuban state had mobilised prominent intellectuals all over the world, who wrote a letter to Fidel Castro calling for the release of the poet, whose only sin had been to dissent through his poetic work. The writer's mea culpa, the recording of which is shown for the first time to the public, marks the narrative line of a story including the testimonies of Gabriel García Márquez, Julio Cortázar, Mario Vargas Llosa, Jean-Paul Sartre, Jorge Edwards and Fidel Castro.

A portrait which explores the legacy and impact of novelist Julio Cortazar's art, perceptively examining it within the context of shifting tides of Argentine culture and politics. The author reads his own texts in this poetic documentary.

A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.

Cortázar: Instrucciones de montaje (I) Collects the writer's underlines and notes, challenging concepts such as reading, personal library or reader.

An account of the childhood and youth of the Peruvian writer Mario Vargas Llosa, Nobel Prize for Literature in 2010, and how the hard experiences he lived during these formative years led him to write and publish his first major work when he was only 26 years old.


A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.

In a desert town, sometime in the future, a repressive government regime restricts all forms of artistic expression. At night, Theo breaks the law, risking torture and death, to paint his work on public spaces. But when his lover Elia is arrested for committing the same crime, Theo allows himself to be captured hoping to somehow be reunited with her.


Delia Mañara is notorious in her quarter of Buenos Aires for the mysterious deaths of two of her fiancés. She lives in a twilight world and gains most satisfaction through the exercise of power over others.

A supposedly idyllic weekend trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse under the weight of its own consumer preoccupations.

Two brothers quarrel for the love of a woman. One of them falls ill and dies; the other one marries her. The couple’s relationship falters in Paris due to the involvement of a reproaching mother, who still acts as if the dead brother were alive and living with her.

In the 1950s, while radio is slowly being surpassed by television as the leading broadcast medium, Tito Balcárcel, a voice actor, becomes romantically involved with Lúcia, a fan of his who drags him into a mysterious crime plot.

In this extreme yet devastating testament to the loneliness of human existence, an older domestic woman, heartbreakingly rendered by Gence, is approached in the kitchen after a party by a young, gay man seeking affection. She is later offered money to act as his mother and becomes emotionally involved in a milieu unfamiliar to her.

Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms of the plastic work of a woman tormented by the elongated specters, originating from her obsessions and nightmares.

The story of a saxophonist with delusions of persecution that is being destroyed little by little by means of alcohol, drugs and sex. A story by Cortázar inspired by the life of Charlie Parker, it shows a fragmented narration and remarkable formal aspects.
