In the 1890s, Father Adolf Daens goes to Aalst, a textile town where child labor is rife, pay and working conditions are horrible, the poor have no vote, and the Catholic church backs the petite bourgeoisie in oppressing workers. He writes a few columns for the Catholic paper, and soon workers are listening and the powerful are in an uproar. He's expelled from the Catholic party, so he starts the Christian Democrats and is elected to Parliament. After Rome disciplines him, he must choose between two callings, as priest and as champion of workers. In subplots, a courageous young woman falls in love with a socialist and survives a shop foreman's rape; children die; prelates play billiards.

A pessimistic urban drama, with a musical score by Jack Sels and Max Damasse, charts in strongly expressionistically lit black-and-white images the wanderings of a tormented man through the cosmopolitan port city of Antwerp. The only people to show him understanding are an orphan and two disillusioned women.

A tale centered on the Battle of the Golden Spurs in 1302 where the Flemish rank and file won a major victory over the glorious French knights.

Ellektra is a story about comfort. The main character Sam finds real comfort and is released from her virtual comfort, drugs. Her true comfort is the sixteen year old girl Ellen, who puts people suffering from severe misfortune into contact with each other through SMS, and gives new meaning to their lives.

The captain of a ship in port has been entrusted with a secret government mission. He gives leave to the crew, but orders them to report back each morning. As the days go by, and the sailing date still remains a secret, the crew are thrown into a state of increasing uncertainty. The film concentrates on two crew members whose experiences are coloured by the omnipresent reality of the ship which is about to depart.

De Mantel der Liefde is a bizarre, over the top and at times hilarious settling of scores with the Catholic Church, commercial movie culture and 1970's petit bourgeois Dutch culture in general.

An actor and poet falls in love with a former mortuary photographer turned waitress. They find themselves caught up way over their heads in a dirty political and financial affair, an art smuggling case that touches them merely for the fact that it may separate them, be it through death or exile.

Essentieel (1964) is a short experimental film made by Belgian abstract painter Jef Verheyen in collaboration with poet Paul De Vree. A cinematic equivalent of Verheyen’s attempts in representing the warmth and vibrations of light in his monochrome or ‘essentialist’ paintings of the late 1950s and 1960s, the film plays on the tensions between abstract color surfaces and natural elements.

Kamiel steals the famous Brussels statue of Manneken Pis to impress his girlfriend Denise, the daughter of the man who is supposed to guard it. The Belgians, however, wrongly accuse the Dutch of having stolen their statue and hit back by stealing the statue of Hansje Brink.

A lighthouse guardian leads a young prince towards an imaginary world, Taxandria, where the boy learns about the power of love and the value of liberty. A totalitarian regime has forbidden time: time watches have been confiscated, photo cameras are illegal as they freeze a point in time. A typical Servais theme: a power is oppressed by a constraint that denies what is best in the individual, and therefore has to be twisted in various ways, to establish an entirely artificial world, that has rules that may question some of the rules of our world at this side of the mirror.