Six soldiers and their lieutenant are on an exploratory mission a few days before the end of a training course. Unfortunately, due to a mistake, the group gets lost and accidentally ends up on French territory. The lieutenant is then faced with a real dilemma: returning to Switzerland via the nearest customs post means accepting the legal consequences—in fact, any Swiss national who crosses the border with an assault rifle is automatically considered a deserter—or returning to the country illegally through the forest, which is foreign territory and sometimes dangerous.

A regular performer of the great works of the French repertoire, Jean Liermier takes pride of place in the most popular of them. With the help of the great Gilles Privat—who embodies a Cyrano who is as effervescent as he is melancholic—the director creates a very personal version of this romantic tragicomedy. A sensitive version that stays true to the poet Rostand, telling the story of a storyteller. Cyrano takes us on the adventures of his life. As if he wanted to shout: "Theater is dead: long live theater!"

Men in disguise arrive at a square where the last survivors of Carnival are ending a night of excess in style. Daybreak approaches. Véronique, Xavier, and Jochen may well get their wings burned...

Three women, three generations, two secrets. In the early 1970s, a bomb exploded on board the Swissair flight 330 to Tel Aviv. Isabelle's husband also died. The young, very pregnant widow feared that her lover, the Palestinian activist Djibril, might be entangled in it ... Now, 47 years later, Isabelle finds out that her granddaughter Anaïs has converted to Islam. But why does the young student keep her new faith secret from the family? Anaïs's mother, Léa, immediately rings the alarm.