Acting
Julie-Anne Roth (born 31 March 1973) is a French actress. From 1996 to 1999 Roth studied at the CNSAD. She appeared in more than sixty films since 1989. Source: Article "Julie-Anne Roth" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Four hardened crooks break out of prison. Hunted down, with nowhere to run, they seek refuge in the only place the police cannot follow, a Cistercian monastery. Cut off from the outside world, a nightmare stand off develops between the fugitives, ready to kill in defence of their dearly purchased freedom, and the monks they' re holding hostage. But in this potentially lethal confrontation, nothing is quite as it seems. The game' s been rigged from the start. Requiem' s a violent and fast paced French film that really delivers.
Three men in a flat are waiting on a big drug deal that's about to go down in the neighborhood in a few days.
Ten years after their Upper Sixth, Bruno, Momo, Leon and Alain meet together in the waiting room of a maternity hospital. The father of the awaited baby is Tomasi, their best friend at that time, who died one month before due to an overdose. They remember their teenage, their laughs, their dreams, their stupid pranks... a description of the French youth in the middle of the seventies.
Captain Hannibal Pennac is retired and dreams of reconciling with his daughter Annabelle, also a police captain, who has just been transferred to Montpellier. But Anabelle is angry with her father and does not want to talk to him, because he left her when she was 6 years old. However, a mysterious case will force them to unite and Annabelle will have no choice but to work with her father.
In Brussels, one discovers the bodies of young women buried behind the tombs of famous painters… In each of them, it lacks the right forearm. Yarn needles, Commissioner Leon, whose secret passion is knitting, unravels the intrigue of this dark history, with the heart of this case Mrs. Edward Island, transvestite housekeeper bistro "In Sudden Death," where one encounters a high wildlife colors.
Charlotte is satisfied. She is in the process of experiencing a promotion in the company where she works as a senior executive. Everything would be fine if Charlotte didn't have a sister, a mother of three who left without leaving an address a few years ago. Since then, it is Yvonne, the mother of the two young women, who took care of raising Pierre, Louise and Antoine. However, one fine day, Antoine's father appears...
As Gentille opens, Fontaine Leglou is walking down a Paris street, and stops to confront a man whom she suspects is following her. She tells him he looks normal, but she's sorry, she doesn't have time to have coffee with him. When he convincingly protests that he was not following her, she apologizes and asks him to have coffee. Fontaine would seem to have a relatively good life. She works as an anesthetist at a fancy mental hospital, and she's got a live-in Nobel Prize-winning arctic scientist boyfriend, Michel, who seems to love her. But there's clearly something nagging at her. She walks around in a perpetually distracted state, and frequently mistakes other peoples' identities and their intentions. When Michel proposes to her, she needs some time to digest it before she responds.
Anne Cestac accepts the obvious: her husband Julien, in his forties, has fallen madly in love with another woman. Annoyed, Anne sets out to find potential lovers.
Sacha is a real seducer, a man with no ties or emotional or professional. Charlotte is a modern and independent woman, but barely has time to care for their three children. While Sacha and Charlotte are, at first glance, two incompatible beings, when they meet soon discover that they are quite complementary and need each other.
Nathalie is being stalked. By an interesting, intelligent young woman called Anaïs, who makes quite an impression on Nathalie, whose real name is Célimène and who happens to be a writer experiencing a crisis.
Ten days in the life of a thirty-six-year-old woman.Ten days of a legal and administrative marathon, that turns obsessional, to get a mother back; a mother who does not even want to be one. Ten days for a transformation: a girl who becomes a woman, a woman who finally understands that someone's happiness cannot be made despite oneself, and certainly not despite her own mother.