Begins as a whimsical piece with 'sheets' of lines running down the screen, progressing into more and more complex geometic patterns but without deviating from the basic precepts of 'dot and line' animation. Jazz piano on a lazy Sunday afternoon, and a spring color palette. -- Stephanie Sapienza. Preserved by the Academy Film Archive in 2001.

A sampling of abstract styles - black and white patterns, colorful flicker, and dancing line formations, interspersed with a strangely unnerving combination of organic and computer-generated sound effects.

Short experimental film directed by Jules Engel.

Directed by Jules Engel.

Popeye is now the manager of a service station, he provides a good service with free extras. Brutus comes along only wanting the free extras, including free access to another customer, Olive Oyl.

There's trouble brewing in Bikini Bottom. Someone has stolen King Neptune's crown, and it looks like Mr. Krab, SpongeBob's boss, is the culprit. Though he's just been passed over for the promotion of his dreams, SpongeBob stands by his boss, and along with his best pal Patrick, sets out on a treacherous mission to Shell City to reclaim the crown and save Mr. Krab's life.

A sampling of abstract styles - black and white patterns, colorful flicker, and dancing line formations, interspersed with a strangely unnerving combination of organic and computer-generated sound effects.

One of two short films created and produced by Spongebob SquarePants creator Stephen Hillenburg at CalArts in 1992.

Scratch and Crow is a student film by Helen Hill made at the California Institute of the Arts. It is filled with vivid color and a light sense of humor. It is also a poetic and spiritual homage to animals and the human soul

Stop motion animation set in a dystopian industrialized society.