Tibor Malkáv is an andaverage 37-year-old man, who though not rich, leads a comfortable and uncomplicated life. All this changes when he finds out his mother is dying of cancer and the cost of surgery is well beyond his means. A one-eyed man known as the Cyclops offers Tibor a solution to his financial woes, however, there is a catch and Tibor has to kill someone in return. What follows is a chain reaction that has long-lasting and unexpected results.

After a mass-collision in the morning rush, people from different backgrounds are forced to directly interact with each other.

Lajos Mezei is an insignificant, average, middle-aged man. He works at the post office sorting letters using a machine. His life is but a series monotonous everyday events, but he has a passion that makes him different from his fellow humans. This passion replaces all human relationships and events in his life - he flees into a world of his own, hermetically sealed, which only he can understand and where he therefore feels safe. One day, however, his well-balanced life is turned upside down.

Three young friends, from the Hungarian countryside, want more sex and excitement in their life. Together they undertake a journey to Lake Balaton, where they hope to find plenty of summer fun as well as a temporary job.

Bruno, a bisexual but closeted young man lives in rural Hungary with his girlfriend Mari. Also on the scene is her homosexual brother Ringo. Mari doesn't know that when the boys go off to work together in the city they raise cash by turning tricks and burglarizing houses.

A wife gets a call from a state adoption agent on her way home. They have been selected to adopt a child with her husband. When she goes into their home to tell the news to her husband she finds him in the bathroom.

A hotel, a petrol station, a highway. A driver, a guest, a waiter, a hotel porter, a woman. Seemingly chance encounters. Fates. The short stories of Ádám Bodor in a film.

Gertrúd is a middle-aged music teacher. She lives with her art-restorer husband and their teenage son. She is weary of family life, and her relationship with her husband leaves much to be desired. Gertrúd’s settled world is turned upside down when a former student of hers, the beautiful Albán, suddenly shows up. Her presence prompts questions about the past, present, and future. Reality, memories and dreams intermingle dangerously, and the old family roles slowly begin to change. “I wanted this film to be like an enchanted box full of stories and surprises”, Péter Gothár explains. “Its drawers are meant to open in a mysterious rhythm, offering joy and food for thought. First, there was the music of Bartók, which then became the film's main organizing element. It formed around the music – this whole family story full of love and irony”.

Doma invites his rarely seen half-brother Ádám to a fancy café. He claims that their father wants to get back together with Ádám's mother, and now they can spy on them. Ádám doesn't believe him, but the parents do turn up and a strange family portrait begins to unfold.

Kata, in her 20s, loses her boyfriend and her job on the same day. She's been indulging in fantasies of a more thrilling romantic life, and the cold water of being alone and unemployed doesn't entirely dampen her imagination. She's egged on by three girlfriends who get together to talk about men and sex. Kata has possibilities: she meets David, a medical student; there's Tamás, a stranger on a train who might be good for a relationship and a job. There's also Miki, her brother who's had serious drug problems. Is fulfillment within her grasp?