With intertwined life stories, this film starts from the questions: Is Ecuadorian society essentially mestizo? What is a mongrel? This documentary aims to bring to the fore issues that have been poorly resolved both in the way in which Ecuador defines itself as a country, and in the subjectivity of its inhabitants.

Stories told by sailors who spend a life of loneliness and nostalgia several months of the year sailing a ship to support their homes. And they look forward to being able to reunite with their families. Through the testimony of Hector Murillo and his companions, this documentary addresses the life of a sailor in his usual environment, a ship.

On January 3, 2001 in Lorca there was a traffic accident that caused 12 deaths who were Ecuadorians, worked in agricultural fields and were in an irregular situation in Spain. This documentary reflects the harsh reality experienced by dozens of illegal Ecuadorians offering much cheaper labor in Spain.

Stories told by sailors who spend a life of loneliness and nostalgia several months of the year sailing a ship to support their homes. And they look forward to being able to reunite with their families. Through the testimony of Hector Murillo and his companions, this documentary addresses the life of a sailor in his usual environment, a ship.

On January 3, 2001 in Lorca there was a traffic accident that caused 12 deaths who were Ecuadorians, worked in agricultural fields and were in an irregular situation in Spain. This documentary reflects the harsh reality experienced by dozens of illegal Ecuadorians offering much cheaper labor in Spain.

When the Big war started, the 2nd of August 1914, Louis is one of those first mobilized. He has to leave Marie and his village in Corsica for the plains of the Marne where the fights rage. On the front, he is a stretcher-bearer and crosses the battlefield, at night, in search of the wounded. One day, while the trench is sorely lacking water, he is chosen to go to a well situated halfway between the French and German territories in what they called "no-man's-land". There, he finds himself in front of a German soldier who has also come too stock up.

Juan, the film director, is Ecuadorian, his partner, Francisca, is Cuban. They live in Paris where their two children were born, just like Juan 30 years earlier. By switching back and forward from past to present, between the history of a family across 3 generations and that of a whole continent, the film director considers the issue of political commitment and the heritage left to the next generation in the form of a letter from a father to his children.

Juan, the film director, is Ecuadorian, his partner, Francisca, is Cuban. They live in Paris where their two children were born, just like Juan 30 years earlier. By switching back and forward from past to present, between the history of a family across 3 generations and that of a whole continent, the film director considers the issue of political commitment and the heritage left to the next generation in the form of a letter from a father to his children.