Two stories about different ways two people overcome loss; which may or may not be connected.

First part of "La trilogía de las frutas" and the first short film belonging to the "Manifiesto Helsinki" film movement.

First part of "La trilogía de las frutas" and the first short film belonging to the "Manifiesto Helsinki" film movement.

First part of "La trilogía de las frutas" and the first short film belonging to the "Manifiesto Helsinki" film movement.

First part of "La trilogía de las frutas" and the first short film belonging to the "Manifiesto Helsinki" film movement.

First part of "La trilogía de las frutas" and the first short film belonging to the "Manifiesto Helsinki" film movement.

Can an adolescent experience define our perception of love? Can or should everything be connected or have a reason? A character recounts to his niece or nephew, in the form of a confession, an event from his adolescence that defines his particular way of perceiving love. While this exercise serves to tell a story that, regardless of genre, has surely been experienced by more than one person, it expresses the director's idea that discourse can sustain a work on its own, even if what is depicted on screen appears to have no connection.

What happens to places when they lose their people? Where do all the stories go?

Growth is beautiful, and often progress, too, but if it's not measured, growth can be predatory. Made using the principles of essay film, and using an anonymous character, this film chronicles and critiques how provincial cities grow, change, and gradually lose their identity.

Two stories about different ways two people overcome loss; which may or may not be connected.