The ancient Greek myth of Orpheus, who attempts to harness the power of music to rescue his beloved Eurydice from the underworld, has inspired composers since opera’s earliest days. Brilliant American composer Matthew Aucoin now carries that tradition into the 21st century with a captivating new take on the story—a product of the Met’s commissioning program. With a libretto by Sarah Ruhl, adapted from her acclaimed 2003 play, the opera reimagines the familiar tale from Eurydice’s point of view. Yannick Nézet-Séguin oversees the December 4 transmission, leading Aucoin’s evocative music and an immersive new staging by Mary Zimmerman. Soprano Erin Morley sings the title role, opposite baritone Joshua Hopkins as Orpheus and countertenor Jakub Józef Orliński as his otherworldly alter-ego.

Franco Zeffirelli's magnificient staging of Puccini's final opera - a fairy tale set in a mythical China - is one of the most popular in the Met repertory. In this Live in HD production, Maria Guleghina takes on the title role and Marcello Giordani is Calaf, the unknown prince. Marina Poplavskaya and Samuel Ramey co-star, and Andris Nelsons conducts in his Met debut.

Joyce DiDonato gives a sensational performance as Mary, Queen of Scots, in Donizetti’s bel canto drama, opposite Elza van den Heever as Queen Elizabeth. This Live in HD presentation of David McVicar’s acclaimed 2012 production also stars Matthew Polenzani as Leicester, the man caught between the rival queens. Maurizio Benini conducts.

Conductor Joana Mallwitz makes her Met debut leading an extraordinary cast in Mozart’s comic masterpiece. Bass-baritone Michael Sumuel stars as the clever valet Figaro, opposite soprano Olga Kulchynska as his betrothed, the wily maid Susanna. Baritone Joshua Hopkins is the skirt-chasing Count, with soprano Federica Lombardi as his anguished wife and mezzo-soprano Marianne Crebassa as the adolescent page Cherubino. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe.

A tale of thwarted love and mistaken and assumed identities, this comedy revolves around an ordinary man becoming ‘King for a Day’. Cavaliere di Belfiore has, to distract attention from the genuine monarch, assumed the identity of King Stanislas of Poland, and arrived with much pomp at the castle of Baron Kelbar near Brest. There he finds himself in the middle of preparations for two weddings: the baron's daughter Giulietta is, most unwillingly, to marry the elderly La Rocca, while a local military official is hoping for the hand of the Marchesa del Poggio. Can ‘King Stanislas’ use his regal power in time to disentangle these unhappy betrothals before his true identity is revealed?