Thief Viliam, swindler Emília, and the unwitting Tobiáš are implicated in stealing St. Peter’s key. After dying and facing judgment at heaven’s gate, Saint Peter sends them back to earth with a strict deadline to recover the key or be damned. Their quest leads them to a castle where a kindly king and a beautiful princess await, but they must also outwit treacherous chancellors and foil their malicious schemes.

The film captures the life stories and problems of today's young people. On the one hand, there is a love of music and the problems of finding love in life, and on the other, the harsh reality of life in today's society. The fate of the main character is marked by financial problems, but also by the drug history of his loved ones. The film alternates between tragic moments and humorous dialogues, which are often interwoven with the slang expressions of today's youth. The plot is complemented by 12 original songs of various musical genres, sung by the performers.

When Daria disappears after their first date, Marek finds her in a psychiatric hospital. Everything might be part of a disturbing game played by powerful pharmaceutical companies, though the truth may be more frightening than either of them realize.

The body of an art history student who earned extra money selling pet food was found in an elegant residential neighborhood. The search for the killer leads Inspector Bergman and his colleague Sylvia among art lovers. At the center of events is journalist Julie Keller, who has withdrawn to her slightly dilapidated villa...

In the second half of the 1980s, so-called critical films began to emerge, but they were afraid to make a sharper statement, moving on the basis of an engaged morality that wanted to improve the existing conditions cosmetically at best. The theme of the search for a new anchor in life becomes a central element: the protagonist, after returning from the war, does not want to devote himself to the constraints of elite sports, he rejects the dubious business of a friend. Most of all, he would be attracted to a perfectly ordinary job in a bakery. The dance clip inserts, however, make it difficult to navigate the already rather confusing narrative.

Otakar Vávra dedicated his latest film to events accompanying the devastation of the first World War. It takes place in representative centers of power, in the courts of Vienna, Berlin and Moscow. In parallel, it develops the fate of the Czech archivist, who will take part in the Serbian anti-Austrian branch.

At Strašperk Castle, the royal budget is being improved by spooky tours instead of raising taxes. These are directed by the resourceful princess Elvíra. Prince Armin arrives at Strašperk, eager to see a magical creature to prove to his royal father that they really exist. As a little boy, he met a witch in the forest, but his father never believed him. Soon, an unexpected event occurs at Strašperk - during the celebration of the king's birthday, the musicians disappear without a trace, then some servants, and finally the king himself. Panic breaks out in the castle. Elvíra and Armin set out to follow the trail of this mystery. It turns out that things are often not what they seem at first glance. And when it comes to magical creatures, no one knows when the next one will be born.

Just before World War 1, the fifteen-year-old poverty-stricken Anne from a small Slovak town is sent to Prague to be a maid in a wealthy family. She meets Resi, the daughter of a noble family, who was born and raised to be an adornment and a trophy – of the house, of her family, of Austria-Hungary. Anne and Resi, two girls born in the same year, but at the other ends of the social ladder, find a soulmate in each other. They become best friends, lovers and the only light in a male-dominated world.