It is 1955 and the government in Czechoslovakia has declared an amnesty for post-war emigrants. Many of them returned to their families, only young Pavel Kocián's single mother waits in vain for him. Despite her protests, Tomáš Stach, an assembler, is accommodated in her flat as a lodger. Until recently, his fiancée Jana was also waiting for Pavel's return, but she has given up hope and visits Mrs Kocián only out of pity. One evening, an unknown man who introduces himself as Jonáš and claims to know Pavel visits her.

The young generation is not very at peace with the morality of their parents. In a story set in a Moravian village, the otherwise contented cooperators indulge in stealing from the common property without seeing anything wrong with such actions. After being reprimanded by their own children, they first get angry but then become ashamed. The result is a late agitational comedy that no longer deals with the peasants' entry into the agricultural cooperative, but with the mores prevailing there. The ideologically mature youth act as a guarantee of a happy future.

In this crime story, surprisingly, neither the all-powerful criminals nor the spies or saboteurs are pursued, as was once common. The plot is almost mundane: someone unwittingly siphoned off alcohol from a tanker, unaware that it was deadly methyl alcohol, intended for industrial use. Finding out where the poison has been transported and which people it endangers requires painstaking work.

Spy film about a man with a face lift who gets recruited by western organisations.

The family is connected with Prague's "Kolbenka", the ČKD locomotive factory. Grandfather Antonín, already retired, son Rudolf, a master in the locomotive assembly section and grandson Antonín, a promising football player. The film also tells the story of Rudolf's daughter Vera - each generation has its own ideas about life and cannot identify with the others. The film is linked by retrospective sequences from the lives of Antonín the Elder and Rudolf, especially from the war years. It is a realistic take on working-class life, unencumbered by ideology (despite the opening dedication), featuring well-known and time-tested actors in mainly male roles.

A loose sequel to the film Little Bobes, it catches up with the title child hero in the town where he and his parents have moved. However, the expectations of a better existence are disrupted by the ever worsening social conditions in the 1930s, and living on the periphery of the big city allows even the little boy to see how evil the exploiters of the workers are. This is a graphic demonstration of how ideological features have also very insensitively crept into children's films. When Bobsha's father couldn't find work after an accident, he decided to sell the cottage and move to the city with his family. He lives in a small house on the periphery and the surrounding environment contrasts strongly with his former home. It takes Bobš a long time to get used to it. A loose sequel to the film "Little Bobesh".

Twelve graduates of one year of DAMU decide to go to the regional theatre together. During the first season, the enthusiastic collective breaks up and only five remain, determined to continue.

An outdated fireclay factory is due to close, but its long-time employees can't imagine stopping what has fed them all their lives and what they do best...

The story of two communist friends, one of whom leaves as secretary to the district committee of the Communist Party of Czechoslovakia and the other remains in the village as a party agitator.

A satire about trying to please "those at the top".