Dadá, Corisco's partner, talks about her experience among the cangaceiros of Lampião, highlighting their form of organization as a group, their habits and behaviors, in addition to the struggle for survival, codes of honor, guerrilla tactics and loves.

In a large house in Salvador lives a family: Hercules, Julia, two of the couple's nephews, Hercules' father-in-law, and two maids. Hercules is a farmer who is in a professional and marital crisis. The mystical figure of Calunga mysteriously appears in the big house. He causes deep transformations in the family. Calunga relates to the women of the house and shakes the established patriarchal structure.

In a large house in Salvador lives a family: Hercules, Julia, two of the couple's nephews, Hercules' father-in-law, and two maids. Hercules is a farmer who is in a professional and marital crisis. The mystical figure of Calunga mysteriously appears in the big house. He causes deep transformations in the family. Calunga relates to the women of the house and shakes the established patriarchal structure.

In a large house in Salvador lives a family: Hercules, Julia, two of the couple's nephews, Hercules' father-in-law, and two maids. Hercules is a farmer who is in a professional and marital crisis. The mystical figure of Calunga mysteriously appears in the big house. He causes deep transformations in the family. Calunga relates to the women of the house and shakes the established patriarchal structure.

In a large house in Salvador lives a family: Hercules, Julia, two of the couple's nephews, Hercules' father-in-law, and two maids. Hercules is a farmer who is in a professional and marital crisis. The mystical figure of Calunga mysteriously appears in the big house. He causes deep transformations in the family. Calunga relates to the women of the house and shakes the established patriarchal structure.

Dadá, Corisco's partner, talks about her experience among the cangaceiros of Lampião, highlighting their form of organization as a group, their habits and behaviors, in addition to the struggle for survival, codes of honor, guerrilla tactics and loves.

Dadá, Corisco's partner, talks about her experience among the cangaceiros of Lampião, highlighting their form of organization as a group, their habits and behaviors, in addition to the struggle for survival, codes of honor, guerrilla tactics and loves.

Echoes from the Cinema Novo, stylized in photographic compositional experiments and montage, in the encounter of a migrant woman with a man carrying a rifle in the streets of the big city.