Fernando Fernán Gómez (1921-2007), actor, writer, playwright and film director, was for decades one of the most important figures in Spanish culture. His close friends and relatives reveal another facet in which he stood out above all: that of being an excellent conversationalist, capable of hypnotizing and seducing those who listened to him.

Quinqui cinema encompassed a series of Spanish crime films with a unique national sensibility, as they reflected the times of the Franco dictatorship transition. Guided by academics Mery Cuesta and Tom Whittaker, this featurette explores this explosive subgenre.

Mario and Ana, in voluntary exile from Buenos Aires, live in a remote Argentine valley with their 12-year-old son Ernesto. Mario runs a school and a wool cooperative; Ana, a doctor, heads a clinic with Nelda, a progressive nun. Into this idealistic family comes Hans, a jaded Spanish geological engineer -- surveying the land for the local patron, to see if it can be dammed for hydro-electric power, which would drive the peasants from the land into the cities.

A couple's children bring a magic ball, which allows them to bring snowmen to life, to a Christmas mountain chalet holiday.

A young woman, who has inherited her grandparents' huge house, a fascinating place full of amazing objects, feels overwhelmed by the weight of memories and her new responsibilities. Fortunately, the former inhabitants of the house soon come to her aid. (An account of the life and work of Fernando Fernán Gómez [1921-2007] and his wife Emma Cohen [1946-2016], two singular artists and fundamental figures of contemporary Spanish culture.)

Paul Marnac and his infirm wife Geneviève move to his childhood estate in the French countryside. The estate is also the site of the castle inhabited by Paul's ancestor Alaric de Marnac, who was known for brutally slaughtering anyone whom he suspected of infidelity. There is a legend that Alaric rises from the grave to continue his deeds. The estate is currently inhabited by Paul's aunt Maville and cousin Julie. Right after Paul and Geneviève arrive, mysterious things begin to happen. Geneviève begins to wonder if the legend about Alaric is true.

An executive who depends on his wife's fortune has a great weakness for women. One day, his chauffeur discovers the flat where he has his mistress, a painter who has him totally idealized as reflected in her paintings. But this straight man ends up, by circumstances of life, paired with a homosexual.

Joaquín Góñez, a novelist in his sixties recalls his emotions, his wild years in Buenos Aires, the memories of old friends, the meaning of loyalty and the intimate relationship with his mother, Roma.

A group of women, who have always been good friends, are going through tough times: not only criticize each other and make life impossible, but also their love relationships are very poor. They will have to put everything in their power to get through this difficult time.