In his time of greatest splendor, the singer Miguel 'Bambino' Vargas Jiménez (1940-99) was the last frontier of flamenco, an immense musical genre that he developed and brought closer to large audiences: an artist of artists, the idol of the roadside bars, whose inimitable style, scenic magnetism and heartbreaking personality made of his figure a myth, a king without a kingdom, a giant of the popular music of the 20th century.

The legendary shock rock band from the 90s returns to the stage after being gone for more than a decade. This Mockumentary tells the story of this return to public life and the evolution of the members during these years.

The Ekipo Ja, a group of sane gypsies led by the gypsy Juan De Dios, is in possession, unknowingly, of a sacred seal able to make wishes to him who possesses it. And who wants to possess above all is the Marquesa, a wealthy stranger who does not hesitate to use cunning Italian art dealer persecuted by the police and associated with the Russian mafia, to remove the seal from Juan de Dios. But neither the Marquesa, neither the Italian nor the Russian, not even the Spanish Police, known the capacity Juan de Dios and his men to mess things up and, incidentally, become involved themselves.

A dance troupe prepares for and completes a dress rehearsal of Federico García Lorca's tragic play "Blood Wedding," which is about a bride who runs away from her wedding with a former boyfriend.

The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.

A look at the history and traditions of flamenco music and dance.