A young woman travels with her partner to England on the unexpected death of her brother. Staying with her sister-in-law, she finds her companion soon drawn into a satanic cult based in the house whose rites seem to centre somewhat on large-scale sexual congress.

A young Catholic girl takes viewers through a changing Spanish political and social landscape as she develops from her confirmation day to adulthood. Her first experience with the real Spain comes when her Jewish godfathers cannot come to her confirmation. One of the godfathers, using a ring, poses an early challenge to her innocence that puts her in danger. He later returns, indirectly introducing her to a new boyfriend. If he is one of the symbols for Jewish life under Franco, or for a Judeo-Christian interaction, that interaction is complex. The young woman encounters different lovers as she grows into adulthood, but at the same time she is burdened with financially supporting her father and his own rather decadent lifestyle. Again, this difference in generations could be understood as a difference between the "new" and "old" Spain; it is up to the viewers to interpret the story elements as they decide.

The gentle Spanish comedy Yo soy Fulana de Tal (1975) tells the story of a prostitute who rises from the poor side of town to become a revered member of the community. Along the way she befriends an elderly paternalist artist and also gets her revenge on those who mistreated her in her youth.

Pamplona, 1975: Dr. Navarro, a famous doctor in the city, feels strongly attracted to Juana, his nurse, who is also in love with the doctor. Navarro, however, moved by his strong religious convictions (in fact, he is a numerary member of Opus Dei) remains faithful to his wife and tries by all means to prevent that their relations with Juana break through professional boundaries. For the purpose of that, he orders the nurse will sent to another hospital. This will push Juana to take the initiative and provoke the doctor during San Fermines.

An executive who depends on his wife's fortune has a great weakness for women. One day, his chauffeur discovers the flat where he has his mistress, a painter who has him totally idealized as reflected in her paintings. But this straight man ends up, by circumstances of life, paired with a homosexual.

Jorge Sueiro is a private detective who seeks revenge on Da Costa, a criminal who is fault his daughter died. Jorge accepts the proposal to follow a woman just because it reminds him of her. Little by little, he falls in love with this woman, Belén, who disappears, leading him to look for her more zealously without forgetting that he has a pending account with Da Costa. When he finds her again, he's determined to start a new life with her, but the past tragically gets in the way.

A workshop employee decides to take advantage of a long weekend to go to Torremolinos to have fun and chat up foreign tourists.

Javier lives with his mother in a modest apartment. He conducts surveys on the effectiveness of ads. This work provides a humble earning for the two of them. One day he meets Juna at a bus stop. He tries to ask her out, but she refuses. A few days later, they meet again. Slowly a relationship develops, but her plan is to marry someone rich. Javier's wealthy uncle included him in his testament, so Juna talks Javier into killing the uncle.