
Acting
José Isbert (real name: José Ysbert Alvarruiz), also known as Pepe Isbert (3 March 1886 in Madrid – 28 November 1966 in Madrid), was a Spanish actor. In 1912 he debuted in the short film Asesinato y entierro de Don José Canalejas (playing Pardiñas, the anarchist who killed José Canalejas). During the silent era he worked in theatre with supporting roles in cinema, but with the advent of sound, he made a big screen comeback in the comedy directed by Florián Rey, La pura verdad in (1931). In the 1930s he acted in half a dozen films including: ¿Cuándo te suicidas? (1931) directed by Manuel Romero, La bien pagada (1935) by Eusebio Fernández Ardavín orEl bailarín y el trabajador (1935), directed by Luis Marquina and based on a play by Jacinto Benavente. In the 1940s he gained great popularity in films such as Te quiero para mí (1944) and El testamento del virrey (1944), both directed by Ladislao Vajda; Ella, él y sus millones (1944) by Juan de Orduña; El fantasma y doña Juanita (1945) by Rafael Gil and Pacto de silencio (1949), by Antonio Román. The films he is most remembered for are from the 1950s and 1960s, in classics directed by Luis García Berlanga: Welcome Mr. Marshall! (1953), Los jueves, milagro(1957) and El verdugo (1963); and the dark comedy masterpiece El cochecito by Marco Ferreri, all written by Rafael Azcona. He was the grandfather in the Spanish classic La gran familia (1962), and its sequel La gran familia... y uno más (1965), these films earning him still greater popularity. Pepe Isbert died in Madrid due to a heart condition when he was 80 years old. He was buried at Tarazona de la Mancha cemetery in the province of Albacete.

Carmen is a Spanish emigrant in Stockholm who does not have the money to run her business or buy a ticket back to Spain. Thanks to a misunderstanding she meets Dr. Petersen who has an invitation to a medical congress in Seville and does not plan to attend. Carmen uses the ticket and impersonates the doctor just enough time to get to the city, but then she will be forced to keep the lie.

An undertaker gets married to an old executioner's daughter and, although he doesn't like it, must continue the profession of his father-in-law after his retirement.

A small Spanish town, Villar del Río, is alerted to the upcoming visit of American diplomats and its ruling townsmen begin preparations to impress the American visitors, in the hopes of benefiting under the Marshall Plan. Hoping to demonstrate the side of Spanish culture with which the visiting foreign officials would be more familiarized, the Castilian citizens don unfamiliar Andalusian costumes, hire a renowned flamenco performer, and re-decorate their town in Andalusian style, meantime waiting for their uncertain arrival.

Mr Antonio is undergoing a bad economic situation that shares with his daugther Leonor, a lovely teenager who makes him happy and helps him sewing to make end meet. But its not enough and Mr Antonio has no other choice than working as a thug of a night club. A job that brings unexpected changes tto his life.

A couple of friends, "Carmen" (Silvia Solar) and "Miguel"(Germán Cobos), fail to raise the money needed to marry. These difficulties encouraged the illusion of the boy, who wants a shot leaving for another country. The dreams of "Miguel" are approved and encouraged by "Don Pablo", (Pepe Isbert) musician of the Municipal Band and uncle of Carmen, in his years young was unable to reach them. On the other hand, Carmen lives with his aunt "Antonia" (Matilde Muñoz Sanpedro), which does not speak with his brother "Don Pablo", and whose sole ambition is to see married her niece, because in order to "maid" in the family there is enough with her. But with the arrival in Cádiz of the president of a south American country, everything is going to change course.

Fearing that her niece Rosita will abandon her true love and enter into a marriage of convenience, doña Juanita tells her the story of when, many years ago, she fell in love with an accountant who worked in a circus.

Policarpo De Tappetti is a calligrapher who works under the orders of Don César Pancarano de Rondò. For many years, Policarpo has been seeking a promotion and a raise that never comes, and, it seems, will never come. One day, Jerónimo, the son of Don César, meets Celeste, the daughter of Policarpo, and falls in love with her. Policarpo sees in that relationship the solution to his aspirations at work, and does everything in his power to make this relationship fruitful. Don César, who presumes to be a count, sees with very bad eyes that his son meets a girl from such a different social position, and does just the opposite. But the efforts made by both parties will be of no use, since Celeste has fallen in love with Mario Marquetti, a "specialized mechanic" (typist) who is giving private lessons in the offices of the businessman Franquinet .

Mariquilla is a beautiful gypsy who is in love with Lucas, a soldier of the garrison in the Alhambra, but her father wants to marry her with Don Cosme, a rich old clerk for the service of the mayor. Soon, the girl asks for help to the governor of Granada, a gentleman who has always had a great adoration for the girl.

A group of taxi drivers try to reanimate a young woman who has been close to being run over by one of them. To improve her mood all of them tell her curious anecdotes featured by peculiar customers

In Fontecilla, a Spanish village in decline, the mayor and other illustrious citizens hatch a crazy plan to revitalize tourism.



