Writing
José Eduardo Agualusa [Alves da Cunha], born in 1960, spends most of his time in Portugal, Angola and Brazil, working as a writer and journalist. His books have been translated into 25 languages. So far five of his books have been translated to English: « Creole » (2002, Arcadia. Orig.: « Nação crioula »), « The Book of Chameleons » (2006, Arcadia, UK; 2008, Simon & Schuster, USA. Orig.:« O Vendedor de Passados »), « My father’s wives » (2008, Arcadia. Orig.: « As mulheres do meu pai »), « Rainy Season » (2009, Arcadia. Orig.: « Estação das Chuvas ») and "General Theory of Oblivion" (2015,Penguim Random House 2015, Archipelago Books. Orig.: "Teoria Geral do Esquecimento") He also wrote five plays, "W generation", "Aquela mulher", "Chovem amores na Rua do Matador","A Caixa Preta" and "O terrorista elegante", the last three written with Mia Couto. He received three literary grants. One from the Centro Nacional da Cultura in 1997 to write Creole; the second one received in 2000 from the Fundação do Oriente, allowed him to stay three months in Goa and write « Um estranho em Goa»; and the third one given in 2001 by the Deutscher Akademischer Austausch Dienst, allowed him to live one year in Berlin where he wrote « O Ano em que Zumbi Tomou o Rio ». In the begining of 2009 Agualusa completed his novel « Barroco tropical » in Amsterdam, while living in the Writers Residency, a joint initiative by the Dutch Foundation for Litterature and the Foundation for the Production and Translation of Dutch Literature.

Maria Bethânia takes her poetic narrative to Mozambique for the first time. The interpreter presents excerpts of works connected by different forms of expression in the Portuguese language. With testimonies from Mia Couto, José Agualusa and several Mozambican and Angolan writers and literary critics, the documentary shows the development of literature in these countries, delving on its importance during the anti-colonial resistance, the connection with native languages, the oral traditions and the influence of Brazilian writers.

A digressive quest, through conversations with various people, about the need humanity has always had to tell stories about itself, about the power and enchantment of fiction.

In 1995, during the Angolan civil war, Nayola sets out in search of her missing husband.

Mid-19th century. A group of survivors from a wrecked slave ship, both black and white, end up on a deserted island, somewhere in the Atlantic Ocean. The fight for survival and power will flip the moral and social values of those days.

Ruy Duarte de Carvalho, poet and novelist, finds out that his father left papers in the Namib desert that would help him shed light on a mystery that occurred in 1923. Through his search, he embarks on an epic tale that goes from the turn of the 19th century to the end of the 20th, in the magnificent Angolan south.

A man, who creates pasts for a living, struggles to find his own past while a mysterious woman takes a dangerous step.