“A Princesinha das Rosas” is about Naíde, a girl born from the union between a fisherman and a mermaid, adopted by monarchs of a country with no heirs, but to whom the call of the waters will inevitably attract.

He was the most prolific within the New Portuguese Cinema generation. He would try western spaghetti, esoteric allegory, supernatural, and science-fiction. Without state subsidies, he would quit filmmaking in the 1990s. Who remembers António de Macedo?