Directing
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José Celestino Campusano is preparing a new film. To do so, he summons a group of men including Vikingo, his usual actor. The four of them reflect on their origins, violence and cinema.
Matías and Micaela will slowly get involved in the independent film world at the 3rd International Film Festival of Cosquín. A very tender and shy love story will begin between them.
Iván is a Spanish film producer who travels to Argentina with a single mission: to meet Carmen Trevilla, a cult director who is in the creative process of her new “video.” From minute zero, he feels captivated by her overwhelming and disconcerting presence. Although he still does not know if he is going to produce it – since he thinks that his cinema will not be well received by current European sensibilities – Iván takes advantage of every moment with Carmen to record, with his cell phone in his hand and an endless smile on his face, every adventure they embark on.
Continuing the series started with Intervened Events (2014), the Buenos Aires Film Museum presents the second feature film made entirely with material from its archives and by fourteen outstanding Argentine filmmakers. These are nine issues of Cine Escuela Argentino, a project created in 1948 by the Argentine Ministry of Education during the first government of Juan Domingo Perón. The latter promoted “the use of the cinematographer as a didactic assistant destined to complete the educational and cultural work, mainly in what concerns exalting the feelings of the nationality, with the heroic example of the heroes, Christian morality and the multiple civil duties, great and small”. Hence, most of the films produced by Cine Escuela Argentino were aimed at scientific dissemination and tourism promotion of the various regions of the country. (Museum of Cinema)
The story of "Vikingo", a rude motorcyclist whose rigid principles are honor and respect.
Two friends decide to form a 'tango-trash' band. The woman of one of these friends is kidnapped by the leader of a female gang, bringing consequences in its aftermath. This all happens in the precarious urban regions surrounding the European-like city of Buenos Aires; in these areas everything resembles the universe of Western films.
Roberto is a bored young man living in the suburbs of Buenos Aires who begins a relationship with an older man named Raúl. Their romance takes a disturbing turn after Raúl catches Roberto with another man and turns increasingly abusive.
Antonio Molina is a criminal in decline that tries to regain the respect for friendship and commitment, at any cost.