
Acting
Josep Maria Carreras Coll (Catalan: [ʒuˈzɛb məˈɾi.ə kəˈreɾəs ˈkɔʎ]; born 5 December 1946), better known as José Carreras (/kəˈrɛərəs/, Spanish: [xoˈse kaˈreɾas]), is a Spanish operatic tenor who is particularly known for his performances in the operas of Donizetti, Verdi and Puccini. Born in Barcelona, he made his debut on the operatic stage at 11 as Trujamán in Manuel de Falla's El retablo de Maese Pedro, and went on to a career that encompassed over 60 roles, performing in the world's leading opera houses and on numerous recordings. He gained fame with a wider audience as one of the Three Tenors, with Plácido Domingo and Luciano Pavarotti, in a series of large concerts from 1990 to 2003. He is also known for his humanitarian work as president of the José Carreras International Leukaemia Foundation (La Fundació Internacional Josep Carreras per a la Lluita contra la Leucèmia), which he established following his own recovery from the disease in 1988. Carreras was born in Sants, a working-class district in Barcelona. He was the youngest of Antònia Coll i Saigi and Josep Carreras i Soler's three children. In 1951, his family emigrated to Argentina in search of a better life. However, this move abroad proved unsuccessful, and within a year they had returned to Sants where Carreras was to spend the rest of his childhood and teenage years. He showed an early talent for music and particularly singing, which intensified at the age of six when he saw Mario Lanza in The Great Caruso. The story recounted in his autobiography and numerous interviews is that after seeing the film, Carreras sang the arias incessantly to his family, especially "La donna è mobile", often locking himself in the family's bathroom when they became exasperated with his impromptu concerts. At that point, his parents, with the encouragement of his grandfather Salvador Coll, an amateur baritone, found the money for music lessons for him. At first he studied piano and voice with Magda Prunera, the mother of one of his childhood friends, and at the age of eight, he also started taking music lessons at Barcelona's Municipal Conservatory. At just eight years old, he also gave his first public performance, singing "La donna è mobile", accompanied by Magda Prunera on the piano, on Spanish National Radio. A recording of this still exists and can be heard on the video biography, José Carreras – A Life Story. On 3 January 1958, at the age of eleven, he made his debut in Barcelona's great opera house, the Gran Teatre del Liceu, singing the boy soprano role of Trujamán in Manuel de Falla's El retablo de Maese Pedro. A few months later, he sang for the last time as a boy soprano at the Liceu in the second act of La Bohème. Throughout his teenage years, he continued to study music, moving on to the Conservatori Superior de Música del Liceu and taking private voice lessons, first with Francisco Puig and later with Juan Ruax, whom Carreras has described as his "artistic father". Following the advice of his father and brother, who felt that he needed a "backup" career, he also entered the University of Barcelona to study chemistry, but after two years he left the university to concentrate on singing. ... Source: Article "José Carreras" from Wikipedia in English, licensed under CC-BY-SA 3.0.


Famed tenor José Carreras takes the stage at Moscow's Bolshoi Theatre with soprano and fellow Spaniard Montserrat Caballé in this memorable evening of music filmed live in 1989. Selections include ballads, arias and duets by some of the world's most famous composers, including Giacomo Puccini, Giuseppe Verdi, Gioacchino Rossini, Antonio Vivaldi, Vincenzo Bellini, Alessandro Scarlatti and Alessandro Stradella.

Johann Strauss Gala - An Evening of Polka, Waltz, and Operetta

On April 11, 1992, host Jean-Pierre Foucault and singer David Hallyday presented an exceptional evening live on TF1 from 8:50 p.m. to 11 p.m., to celebrate the inauguration of Euro Disney Resort. Euro Disney L'Ouverture was broadcast worldwide for the occasion, giving this media event its international character (CBS in the United States). Numerous concerts were organized and many images presenting the places (Disneyland Park, the rest of the Resort and its future expansion plans) were broadcast.

A documentary which shows, in great detail, the making of the 1985 Bernstein-conducted recording of the entire score of "West Side Story", featuring operatic stars.

Biography of Julian Gayarre (1844-1890), one of the best tenors of all times. At 19, a professor at the Conservatory of Music in Madrid heard him singing for the first time and offered him a scholarship to continue his studies. His artistic life runs between continued success, becoming the world's greatest tenor. But in 1890, while singing at the Teatro Real in Madrid, a failure in his voice is like a cruel reminder of what would happen a few days later: his death at a young age. The doctors gave a diagnosis, but his friends know that Julian Gayarre died because he could not sing anymore.

An all-star cast led by soprano Montserrat Caballé in one of her most acclaimed portrayals. Fiorenza Cossotto sings the role of Adriana’s nemesis, the Princess of Bouillon, and José Carreras is Adriana’s lover, Maurizio, in this live 1976 performance from Tokyo. The NHK Symphony Orchestra is under the direction of Gianfranco Masini. This performance of Adriana Lecouvreur documents the art of Montserrat Caballé at its peak, the soprano employing her singularly ravishing vocal quality and staggering technical facility fully in the service of the drama. In her portrayal of the title character - described in the opera as a supreme tragedienne, self-trained and completely artless - Caballé matches Adriana's attributes with a naturalistic approach that is profoundly moving in its honesty and directness. This production also boasts the presence of Fiorenza Cossotto and José Carreras, stars of the highest caliber with whom Caballé performed this opera on many occasions all over the world.

A retelling of the story of John the Baptist, Salome, Herod Antipas and Herodias, but strikingly less psychological and bloody than Richard Strauss's opera "Salome".

It's not opera; it's not a pop concert; it's not Broadway. It's all of these and none of them. Once you accept the fact that this sequel to the original blockbuster concert recording is less about music and more about entertainment and the power of musical personalities, you can appreciate what you're hearing as an event--phenomenal and bizarre, momentous and frivolous. This is an occasion to celebrate the voices and egos of three huge superstars, and to have fun listening as Luciano Pavarotti, Placido Domingo, and Jose Carreras interact, bouncing lines off each other and playing to the overwhelmingly enthusiastic audience.



