The finding of a wallet with a lot of money is the common theme of four stories, featuring a shoeshine from Seville, a clerk from Salamanca, a bullfighter from Cuenca and a newspapers seller from Paris.

To impress friends and family, Cristina pretends to be the fiancée of best-selling author Pablo Reyes. When Reyes shows up in town, he good-naturedly agrees to keep up the pretense.

Rafaelillo, a young upper-class Andalusian man and medical student in Madrid, has not told his parents the whole truth about the kind of life he leads in the capital. Once home, he will have to face the consequences of his many lies… (Film produced in Argentina by the Spanish company Filmófono, after the forced exile of most of its members since 1937.)

When the pieces of a singular figure are unearthed and then joined together, a devil of the lowest category breaks into a small Mediterranean village. From that moment on, the demon will enter the life of a painter named Bernardino, in the affairs of a "modern" marriage, in the existence of a frightened gardener and, finally, in the day-to-day life of the Great Momo.

Beliche, a naive postman, suffers from depression because he has almost no letters to deliver. The neighbors to whom Beliche takes their correspondence decide then to launch a plan to receive many more.

Some urchins simulate an accident and steal a wallet. To their surprise, it turns out to be that of the famous footballer Alfredo Di Stefano, popularly known as "La Saeta Rubia". Driven by the admiration for their idol, the urchins decide to return it. At this time, Di Stefano and his wife establish a great friendship with the guys and project together the creation of the football team "Saeta".

A wealthy couple is hampered by having no children. The sister-in-law feels attracted to the husband and marries his brother. Tension raises between them when the wife feels ill.

A professor at the University of Frankfurt is mistaken for a Russian soccer player on his arrival at Madrid airport. There, he is received as a sports figure and the teacher, unaware of the confusion, take it as an extraordinary compliment. However, problems arise when, after discovering the error, the professor has to pretend to be the player until he appears