Tribute documentary on the relationship between music and image in the cinema, as a constitutive part of it, with great musical moments in Argentine films together with the words of those who compose and direct.

The differences of origin and poetics between José Martínez Suárez and Manuel Antin, representatives of the cinema of the ‘60s’ Generation, are proof of the heterogeneity of the period and, at the same time, share the creation of a renovating and personal aesthetic that observes reality with a critical eye.

Argentinean singer and tango legend Ada Falcón disappeared without a trace in 1942 at the height of her career. This is the story of how she was located sixty years later, living in an unexpected way, in an unexpected place.

A young millionaire meets a mechanic who has invented a carburetor as a result of a breakdown in her car.

Biographical documentary that traces the life of José Martínez Suárez, unconditional lover of cinema, president of the most important Film Festival of the continent. A lucid protagonist of his life and times.

A peculiar, meticulous, vocationally archeological account of the professional life of the actor, Spanish by birth, Argentinean by adoption, Narciso Ibañez Menta (1912-2004), spiritual disciple of Lon Chaney, the new man of a thousand faces, master of horror, star of Argentinean theater, cinema and television for decades.

The journey of Fernando Birri, the great father of New Latin American Cinema, has left a mark that begins at the legendary Santa Fe Documentary School and continues to this day. His methods, influences, his founding role, his poetic-political commitment, and his artistic output are some of the milestones that make up his journey.

Documentary about Fernando Iglesias, “Tacholas”, a Spanish actor who arrived in Buenos Aires in 1929 and participated in 52 national films.

A reconstruction of the artistic memory of the Biancos, Pelicoris, and Alonsos, a family interwoven with theater, film, and radio drama. Through the intimate puzzle piece that sisters Ingrid Pelicori and Irina Alonso piece together, the film rescues an essential legacy of Argentine cultural heritage and invites us to immerse ourselves in the golden decades of the 1940s through the 1970s.