An unexpected meeting on Twitter, introduces young actress Luísa to António, a writer and journalist, who hides his identity using Rasputine as his profile name. This virtual relationship becomes the centre of their lives and one day, they finally decide to meet. But, on his way, António has an accident…

My family emigrated to France in the 1960s, but soon after my mother was forced to return. Maybe that's why we moved house eight times and took refuge whenever possible in the village where the French family was on vacation. This restlessness has been in my dreams since then and never left them. It is through the images of these childhood dreams and places that I try to understand if there is a possible geography for someone with a story that seems to belong nowhere.—Jorge Vaz Gomes

One hundred years after Portugal joining World War One, the narrator starts a quest to know more about his great-grandfather Francisco Nobre, who fought in the trenches in France. A group photography, where no one seems able to identify his great-grandfather, serves as a starting point to find out who was this man no one seems to remember.

Contemplating the failure of his life, Rogério drinks until losing control of his actions and involves himself in a bar brawl. His alcoholic drift takes him to the city port, where he falls asleep while watching passing ships. When a young woman appears in the night, seemingly running from something, Rogério offers to help and enters a nightmare he never imagined it could become his.

Parque Mayer was the park off all the emotions and amusements in the 1930' s. Under the dictatorship of Oliveira Salazar and his police, many people came to have fun in its theaters attending the portuguese kind of play called 'revista'. A writer called Mario Pintor (paintor) is writing a play in which a new actress (Deolinda) will star as the main role, while an already famous actor named Eduardo tries to seduce this recent arrival.

Amadeo: a mysteriously restless and indefatigable man as if always sensing brevity of the time he had left. An artist out of definition, whose painting questions the painting itself, indomitable, scandalous and misunderstood. For being «Infinitely» according Almada, is someone who never had the time within him. How many lives are there in Amadeo de Souza Cardoso’s brief life?