Four distinct individuals — a filmmaker charting an autumnal trail of leaves, a mysterious girl wandering through the labyrinths of creation, a woman immersed in poignant reminiscences of autumns past, and a man devoted to nurturing the void left by a departed tree — converge in the multifaceted, polymorphic realm of Jorge Listopad (1921-2017), poet, essayist, teacher, mentor, theatre and television director, husband and father.

Beladona was the greatest star, or so she thought. Careless of her rural property, she lived by night countless adventures. From one such nights in the arms of a stage and movie producer, she begot her dear Lilás. Alas, six minutes after birth, the boy was taken from her and declared dead - due to the intrigue of the producer, who didn't want to recognize the child as his. Taken into custody by a surrogate mother, twenty years after the child grew into a man, who starts his education in the very fado (folk song, also meaning destiny) tavern where his real mother is. Beladona is still an attractive woman - and drama is round the corner.

This exaggerated mockery of crime cinema tells the story of a gang lead by "Renato, o pacíficio" (Renato, the peaceful) and their attempt to steal precious jewels from the Gulbenkian Museum in Lisbon. The weapon of choice? Bees!