Scott is still sleeping with his ex-boyfriend and floundering through life when his mother calls to tell him his older sister Maggie is in the hospital with a brain tumor. Scott rushes to be by her side. As she lies unconscious he remembers the times their lives intersected. She was a party girl, a popular girl, she got around. Scott imagines what Maggie would say but ultimately realizes that you can never truly know anyone and decides to take a chance on love and life.

In a series of dreamlike digital vignettes, two wild fairies engage in an increasingly intense erotic ritual. Through lyrical poetry and oneiric imagery, the film mythologizes the homosexual practice of “cruising”: clandestine sexual encounters in public spaces. It analogizes this queer custom to ancestral Pan-European accounts of fairie ceremonies and equates the faerie ring–a mythical portal to the underworld–to the real-world liminal spaces where cruising historically occurred. These sensual, magical encounters take place in between worlds. Spaces not yet completely retaken by nature but no longer the domain of man either; alluding both to ancient beliefs that the faerie realm was located somewhere between humanity and the wild; and to the history of queer sexuality: often relegated to the fringes of society.