A compilation of TV appearances from the post-Beatles career of Britain’s most successful singer-songwriter. This playlist shows how the Fab Four’s split didn’t stop the hits and features some of Paul McCartney’s most popular songs and iconic performances on some of the biggest BBC shows of the past five decades, from Top of the Pops to the Electric Proms. Alongside tracks like Band on the Run, Jet, Coming Up and Live and Let Die, there is rarely seen backstage footage, interviews and a range of familiar faces, including a recent encounter with die-hard Beatles fan Bob Mortimer.

As a memorial to George Harrison on the first anniversary of his passing, The Concert for George was held at the Royal Albert Hall in London on 29 November 2002 . Organized by Harrison's widow, Olivia, and son, Dhani, and arranged under the musical direction of Eric Clapton and Jeff Lynne. A benefit for Harrison's Material World Charitable Foundation, the all-star concert took place on the day of the first anniversary of his death. Proceeds from the film also went to the Material World Charitable Foundation. The film was shot using discreet cameras from over twelve locations.

Comedian Rik Mayall died suddenly on 9 June 2014. Mayall's blend of rocket-fuelled physical comedy, surrealism, subversive satire and pompous punk wit left a body of work that spanned four decades. Mayall's characters include the Black Country's investigative nerd Kevin Turvey, Felicity Kendal-adoring student and 'People's Poet' Rik in The Young Ones, ruthless MP Alan B'Stard in The New Statesman, seedy loser Richie in Bottom and larger-than-life characters Robin Hood and flying ace Lord Flashheart from Blackadder. Narrated by Simon Callow, this programme salutes Rik Mayall and celebrates his part in the UK's comedy history using rare and unseen archive footage. It also features contributions from people who knew or admired him, including Michael Palin, Simon Pegg, Lenny Henry, Ben Elton, Alexei Sayle, Christopher Ryan, Tim McInnerny, Jools Holland, Ruby Wax and Greg Davies.

Mr Corbett is a cruel employer to Ben Partridge. One night on New Years Eve Ben is sent out to deliver some medicine. Along the way he wishes his master was dead, little knowing that the man he is delivering to is the Collector of Souls.

A documentary tribute to the singer/songwriter who died on 18th December, 2000.

A collection of songs from the kings and queens of the keyboards, whose performances have captivated audiences over the decades and across a selection of the BBC’s best-loved music programmes. From piano pioneers like Little Richard, Nina Simone and Ray Charles, who showed the world that the new sounds of pop and rock didn’t just revolve around guitars, right through to modern maestros like Elton John, Lady Gaga and the BBC’s own Jools Holland, these are the big names who got us tapping our feet by letting their fingers do the talking.

After the criticisms of the 1987 show’s disproportionate focus on music - and the financial disaster of its music-only Festival Of Youth weekend concert in 1988, Amnesty returned to the original formula that had been so successful in the 1976-1981 era with a primary focus on comedy. Pat Duffy was dropped from organising any further benefit events for Amnesty and for the 1989 show, Amnesty hired producer Judith Holder.

A special episode of "Later... with Jools Holland" showcasing Oasis. Holland welcomes the band to the studio to perform an hour-long concert.

Jools Holland takes us on a journey of his life that has made him the doyen of the music scene.

There's No Business... is a 1994 British partially improvised comedy film directed by Kevin Molony and produced by Claudia Lloyd for Prospect Pictures. It stars Raw Sex (Simon Brint and Rowland Rivron) as Ken Bishop and his stepson Duane, and Lee Cornes as their musical agent Dickie Valentino, in their attempt to remake a track by Ken's old band, 'The Nice Twelve' for a TV advert for 'Pinkies', a brand of kitchen gloves made by Mort Clayton (Mac McDonald). Alexander Armstrong (Tim) and Sam Graham (Fergus) work for the fictional advertising agency Sprote and Sprote. The film takes its name from the 1954 film There's No Business Like Show Business which itself borrowed the 1946 song of the same name by Irving Berlin, written for the musical Annie Get Your Gun.