Cody McGuire has just returned from an important doctor’s appointment, only to find an attractive-but-naïve artificially created man on her doorstep named Mr. Perfect. With the help of her best friend Jocelyn Christmas, Cody will have to find Mr. Perfect a new home before he drives her insane.

Cody McGuire has just returned from an important doctor’s appointment, only to find an attractive-but-naïve artificially created man on her doorstep named Mr. Perfect. With the help of her best friend Jocelyn Christmas, Cody will have to find Mr. Perfect a new home before he drives her insane.

Cody McGuire has just returned from an important doctor’s appointment, only to find an attractive-but-naïve artificially created man on her doorstep named Mr. Perfect. With the help of her best friend Jocelyn Christmas, Cody will have to find Mr. Perfect a new home before he drives her insane.

Cody McGuire has just returned from an important doctor’s appointment, only to find an attractive-but-naïve artificially created man on her doorstep named Mr. Perfect. With the help of her best friend Jocelyn Christmas, Cody will have to find Mr. Perfect a new home before he drives her insane.

An abandoned car. Dangerous spiders. Unrequited love. And hundreds of blackberries. In the heart of her childhood bog, Anita invites her best friend Jill for a “camping sleepover.” But things are not what they seem as Anita neglects to mention traumatic events from her past, and some secrets are unwilling to stay beneath the surface. Told through a video-collage compromised of a live-recording from a 2021 reading—with layers upon layers of B-roll, animations, and puppetry — Jonah Barnett’s “Boggy” is the cumulative work between the author themself and twelve different artists.

An abandoned car. Dangerous spiders. Unrequited love. And hundreds of blackberries. In the heart of her childhood bog, Anita invites her best friend Jill for a “camping sleepover.” But things are not what they seem as Anita neglects to mention traumatic events from her past, and some secrets are unwilling to stay beneath the surface. Told through a video-collage compromised of a live-recording from a 2021 reading—with layers upon layers of B-roll, animations, and puppetry — Jonah Barnett’s “Boggy” is the cumulative work between the author themself and twelve different artists.

An abandoned car. Dangerous spiders. Unrequited love. And hundreds of blackberries. In the heart of her childhood bog, Anita invites her best friend Jill for a “camping sleepover.” But things are not what they seem as Anita neglects to mention traumatic events from her past, and some secrets are unwilling to stay beneath the surface. Told through a video-collage compromised of a live-recording from a 2021 reading—with layers upon layers of B-roll, animations, and puppetry — Jonah Barnett’s “Boggy” is the cumulative work between the author themself and twelve different artists.

An abandoned car. Dangerous spiders. Unrequited love. And hundreds of blackberries. In the heart of her childhood bog, Anita invites her best friend Jill for a “camping sleepover.” But things are not what they seem as Anita neglects to mention traumatic events from her past, and some secrets are unwilling to stay beneath the surface. Told through a video-collage compromised of a live-recording from a 2021 reading—with layers upon layers of B-roll, animations, and puppetry — Jonah Barnett’s “Boggy” is the cumulative work between the author themself and twelve different artists.

Child of the Boogeyman, Mehitable Pachad (Meh for short) is a 109 year-old demon who is tired of living a life of seclusion with their sister, Jerusha. With the disappearance of their estranged brother, Mehitable and Jerusha are the only demons left to look after the “family business” of terrorizing humans in their dreams. The otherworldly veil lifts one day as Mehitable flees home and attempts to create a new life alongside humanity. Booger serves as a queer supernatural coming-of-age story, for anyone who has felt like an Other, an outcast, or uncomfortable in their own skin.

Luke would rather hunt for lake monsters than hunt for a job, but that doesn’t stop his sister Sadie from trying to get them out of the trailer park. With the help of the cute guy next door, maybe Luke can make Sadie believe. Written by guest writer Logan Fenner, employing macro-photography techniques and a life-sized aquatic puppet.