A farce with and by Stefan & Krister

The year is 1926 and Valter Liljefors has passed away. Valter's daughter Rut is very disappointed when she realizes that there is no money to inherit. The only thing of value is the house, and her mother Elsa lives there. However, the will states that if Elsa remarries, the house will go to Rut, who immediately begins looking for a suitable candidate. The plot also includes a shady priest, a sluggish valet, Götaland's most annoying brat, a naive stepsister, an unknown man and a refreshed Danish couplet singer.

The miserable and lazy farmer Nils-Erik likes it that his wife Matilda rules and dictates, but cannot come to terms with the fact that she constantly falls for the flattery of their neighbor Valdemar. Their son Lennart has inherited the mother's touchiness and the father's laziness and feels like a failure. Then Nils-Erik gets an idea! But is it wise to involve the local postman Dag-Otto in his plans?

The year is 1949 and we are back at Matilda and Nils-Erik's farm. Their son Lennart and his wife Rakel are planning to take over the farm after his parents.

An elderly wholesaler will marry a girl, young enough to be his daughter, who is under the impression that he rescued her from drowning. Obviously, things get complicated when both the girl's former boyfriend and the actual rescuer show up

When the quirky and inventive Åsa-Nisse and his friend Klabbarparn have their guns confiscated by the county treasurer after a poaching incident, Åsa-Nisse decides to invent a time machine and travel 70 days forward in time to retrieve their weapons.

A year has passed since Matilda Karlsson arranged a job in the city for her son Lennart and managed to persuade her late husband Nils-Erik to take care of the farm. Everything is fine except for one thing, Matilda wants grandchildren. Lennart and the neighbor's daughter Inga get along well so she thinks they would make a perfect couple. But there are many obstacles along the way.

Strindberg was bold! In 1887, he dared to describe a priest who both drank and swore. He dared to portray a lovesick woman like Madam Flod and a calculating, lecherous Carlsson. He showed that farmhands had a sense of humor and pined for the maids, and he ridiculed the authorities. Strindberg was bold! So bold that Bonniers publishing house rejected several scenes because they were so bold. That is why we do not believe that Strindberg would disapprove of our ideas for his script. Here we will "mess around" with it thoroughly, in his spirit. In other words, you will get an adaptation that is VERY loosely based on Strindberg. Madam Flod will be lovesick, and Carlsson will be senile. The farmhands will have tons of funny lines, the maids will scream at the top of their lungs when the farmhands want to flirt, and the pastor won't be sober for many minutes. And the ending? No, we won't let anyone die here. These are new times! Strindberg was bold. Bold—so are we! Cheers, Strindberg!