New Jersey car mechanic Stacie Andree and her police detective girlfriend Laurel Hester both battle to secure Hester's pension benefits after she was diagnosed with a terminal illness.

For Peter Parker, life is busy. Between taking out the bad guys as Spider-Man and spending time with the person he loves, Gwen Stacy, high school graduation cannot come quickly enough. Peter has not forgotten about the promise he made to Gwen’s father to protect her by staying away, but that is a promise he cannot keep. Things will change for Peter when a new villain, Electro, emerges, an old friend, Harry Osborn, returns, and Peter uncovers new clues about his past.

Cobb, a skilled thief who commits corporate espionage by infiltrating the subconscious of his targets is offered a chance to regain his old life as payment for a task considered to be impossible: "inception", the implantation of another person's idea into a target's subconscious.

Johnny Marr has teamed up with the award-winning actor Maxine Peake to create a new project which sets Peake’s spoken word performances to Marr’s instrumental soundscapes. ‘The Priest’ is based upon the characters that Joe Gallagher met on the streets in the first few days after becoming homeless in Edinburgh. Gallagher wrote a diary of his experiences for the Big Issue under the pseudonym James Campbell when he first became homeless in May 2015 and continued until he found a new home in March 2016. This short film was filmed in Manchester and features Molly Windsor in the lead role.

Johnny Marr has teamed up with the award-winning actor Maxine Peake to create a new project which sets Peake’s spoken word performances to Marr’s instrumental soundscapes. ‘The Priest’ is based upon the characters that Joe Gallagher met on the streets in the first few days after becoming homeless in Edinburgh. Gallagher wrote a diary of his experiences for the Big Issue under the pseudonym James Campbell when he first became homeless in May 2015 and continued until he found a new home in March 2016. This short film was filmed in Manchester and features Molly Windsor in the lead role.

Johnny Marr has teamed up with the award-winning actor Maxine Peake to create a new project which sets Peake’s spoken word performances to Marr’s instrumental soundscapes. ‘The Priest’ is based upon the characters that Joe Gallagher met on the streets in the first few days after becoming homeless in Edinburgh. Gallagher wrote a diary of his experiences for the Big Issue under the pseudonym James Campbell when he first became homeless in May 2015 and continued until he found a new home in March 2016. This short film was filmed in Manchester and features Molly Windsor in the lead role.

British artist Phil Collins has made work in conflicted geopolitical sites around the world, including Baghdad, Belfast, Bogotá, and Ramallah, creating nuanced representations of people and places. In a departure from many documentaries and site-specific practice, Collins engages politics and pop culture in tandem, often soliciting the participation of the communities in which he works. His video installation Dünya Dinlemiyor (Turkish for "the world won't listen") features young people in Istanbul performing karaoke versions of songs by the 1980s band The Smiths. Within the politically fraught context of Istanbul, The Smiths' melancholic pop takes on new poignancy, asking us to listen to what the rest of the world won't. Collins was a nominee for the 2006 Turner Prize.

The sixteen minute video suggests – through an exquisitely constructed montage of found film and video footage, appropriated song fragments, and a meticulously researched voice-over narrative – that Morrissey, the former lead singer of The Smiths, somehow anticipated the 1997 death of Princess Diana via cryptic clues and asides secreted in his lyrics or embedded in images on Smiths’ record sleeves or in their pop videos. Focusing on a track-by-track analysis of The Smiths’ seminal 1986 Album “The Queen Is Dead” Laumann’s film adopts the form of a conspiracy-theory-cum-urban-myth, and despite its labyrinthine twists-and turns, seems to make absolute sense: somehow proving its case, suggesting that perhaps Morrissey – albeit aided and abetted by extraterrestrial forces – did indeed possess clairvoyant powers.