At the end of WWII the Dutch resistance kills a German officer in front of the house of a Dutch family. Years after the war the young boy who witnessed the killing runs into the members of the resistance who committed the killing.

Tim, now a respectable family man, runs into his old buddy Bodde. Bodde convinces Tim to go out with him under the motto: "Laugh, laugh, laugh!" Tim calls his wife to tell her "he'll be a little late," while Bodde keeps persuading him to stay with him for a new deal or a wonderful plan, and so they roam the country. Along the way, they swindle money from everyone and meet the young, beautiful Aafke. Isn't Tim too old for all this?

In the Belgian hamlet of Verbrande Brug, former lovers Monique and Louis reconnect at a carnival, stirring up drama with their current partners.

Four inmates are ordered to enter an annual four day walking tournament. When they get over their initial annoyment, each one of them finds a way to take advantage of their time out of jail.

Well, who says that they were chaste and modest, the ladies and damsels of yesteryear? And even the knights themselves. They knew exactly why they had the chastity belt fastened to their ladies' pretty bodies when they themselves went on crusade or had other important official business to attend to. Better safe than sorry - that's what the robber baron Archibald meant in our case, or in this cheerful film case, when he was summoned to help by his bosom friend Sigurd and went to war with his proud host.

Eight newspaper-columns by Dutch writer Simon Carmiggelt were turned into a film in honor of his 70st birthday.

A woman gets off a train by mistake and finds herself stranded alone with a peculiar man who doesn't even speak her language.

A female veterinarian moves to the country side to start her own practice. She encounters a lot a skeptical villagers.

After a year's trip around the world, twenty-year-old Daniël comes home where a surprise awaits him. In his absence, his boring bourgeois parents have become completely captivated by the sexual revolution. In their new trendy clothes and their 'groovy' white interior, they make sexual freedom a mockery. This upsets Daniël so much that he flees again. This time to the 'peaceful, unspoilt countryside'. Disillusionment awaits him there too. Frustrations and sexual obsessions appear to be just as intense there as in the big city.