A black and white, fantasy-like recreation of high-society gay men during the Harlem Renaissance, with archival footage and photographs intercut with a story. A wake is going on, with mourners gathered around a coffin. Downstairs is an elegant bar where tuxedoed men dance and talk. One of them has a dream in which he comes upon Beauty, who seems to reject him, although when he awakes, Beauty is sleeping beside him. His story and his visits to the jazz and dance club are framed by voices reading from the poetry and essays of Hughes and others. The text is rarely explicit, but the freedom of gay Black men in the 1920s in Harlem is suggested and celebrated visually.

In Host, Missouri, the newcomer Dr. of Veterinary Science Eli Rudkus is called by the farmer Jacob Long to exam one of his cows. The veterinarian finds a strange parasite in the animal and sends it to a friend in the Department of Agriculture for research. Later, he finds the same parasite in a creek and he summons the population for a meeting, warning that the cause might be the animal food. However, Fletcher Odermatt, the wealthy owner of the local Host Tender Meals that has been providing free animal food for the farmers, brings his lawyer Hayley Anderson and discredits Eli. When a huge mutant parasite attacks Eli and Jacob, they discover that the meals are actually an experimental genetic cocktail that is growing parasites inside the cattle and people. Written by Claudio Carvalho, Rio de Janeiro, Brazil

A sticky summer night in central Texas. Suzy Varden picks up an English hitch-hiker, Dan Sheets, en route to Mexico. They check into a seedy motel, where, with the help of a bottle of cheap bourbon, Suzy's story unfolds.

Explores the life and work of the psychoanalytic theorist and activist Frantz Fanon who was born in Martinique, educated in Paris and worked in Algeria. Examines Fanon's theories of identity and race, and traces his involvement in the anti-colonial struggle in Algeria and throughout the world.

Memory mixes with desire as a museum attendant is caught up in sado-masochistic fantasies inspired by a 19th century painting of slaves in chains called Scene on the coast of Africa. The man remembers his past as a singer and delivers Dido's lament from Purcell's opera.

Two disc jockeys have a friend's murder to solve in the fringe-group melting pot of 1977 London.