In the near future, everything has changed. Basic human rights have become the rarest of luxuries. No one knows when this started but everyone knows how. The VXII, the deadliest virus ever created, spread like wildfire and decimated the majority of the world's population. The non-infected survivors now cling to life in four quarantined cities behind a wall. Shawn Kors and his brother, Jude, survived the VXII only to grow up in a squalid internment camp for orphaned children. Under the care of the militia, they were pitted against other children in backwoods death matches. Shawn, Jude, and the few who escaped became notorious for their incredible fighting skills. They have since parted ways. Shawn now makes a comfortable living as a janitor at the local medic station. He spends his days dreaming of curing the VXII. When Shawn discovers the discarded body of a fellow internment camp friend, he is forced out of hiding and pulled into a rabbit hole of conspiracy and violence.

As our world suffers the ravages of humankind, scientists look for ways to sustain life. When one of them falls ill and a chrysalis forms around him, a tug of war ensues about the future of the stricken scientist.

When Julius (Marty Sader) loses his girlfriend, his job and the life of his pseudo father, Jack, his itch for a "quick fix" suffocates his ambitions and takes him on a trip through the disturbing addiction of crystal meth. Julius confides in Erica (Laura Keys), who lures him into her erratic lifestyle, and their crazy romance brings him terrifying hallucinations and isolation as he learns that hedonism will not eliminate his pain.

1819. A shipwreck-survivor, the Navigator, encounters an Old Knight who recounts his tale: Long ago, the Knight fell in love with a mysterious Lady. But in a dream he saw her true form and begged his release. Awoken and alone, he realized his failure. Thus he has waited, kept alive for centuries by his regret. Based on the John Keats poem of the same name.

Prince of Swine is a sex comedy about feminism.

Clay Foster is face to face with a griping situation. His wife is dead and he cannot accept it. He is in denial. The story starts in the midst of a tangled murder mystery. Clay's wife was brutally murdered. How was she killed? Who killed her? The audience is forced to see the world as Clay does, through the eyes of a man traveling through the horrible stages of grieving; denial, anger, and finally acceptance, trying to solve the mystery of his murdered wife. As death comes upon all men, so does the Syphon. In clays diminutive state, his sanity brings him to rest very close at the veil between life and death. He is attune to the fragments and properties that join the two worlds, and being in such a state he is privy to witness and communicate with the beings that walk between them.

Abandoned by her husband, Barbi is dragged into trouble by her girlfriend, who spouts women's lib as she gets Barbi to discard her bra and go out on the town. Barbi becomes a Red Riding Hood in a sea of wolves, and quickly learns a lot more than she wanted to about nudist camps, the hippie scene, orgies, bisexuality, sadism, drugs, and bohemia.

A dying professor leaves his great-nephew a collection of documents pertaining to the Cthulhu Cult. The nephew begins to learn why the study of the cult so fascinated his grandfather. Bit-by-bit he begins piecing together the dread implications of his grandfather's inquiries, and soon he takes on investigating the Cthulhu cult as a crusade of his own.